The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and ... See full summary »
The RSC puts a modern spin on Shakespeare's Hamlet in this filmed-for-television version of their stage production. The Prince of Denmark seeks vengeance after his father is murdered and his mother marries the murderer.
Bev is a downtrodden housewife who's failed her driving test eight times, having only been instructed by her impatient husband Ian. After registering with a driving school, she develops a crush on her instructor, Chris.
Gentle Colin 'Col' Lawes happily lead a quiet life, running a news agency with his spoiled-rotten wife Sandra and playing competition darts in the Atletic Arms team. Colin catches her ... See full summary »
A monarch ordained by God to lead his people. But he is also a man of very human weakness. A man whose vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years.
A fool and his money. In the 1930s, Adam Fenwick-Symes (Stephen Campbell Moore) is part of the English idle class, wanting to marry the flighty Nina Blount (Emily Mortimer). He's a novelist with a one hundred-pound advance for a manuscript confiscated by English customs. He spends the next several years trying to get money and to set a wedding date. He trades in gossip, wins money on wagers, then gives it to a drunken Major (Jim Broadbent), who suggested he bet on a horse in an upcoming race. Adam tries to get the money back, but can't find the Major. Meanwhile, Nina needs security, friends drink too much, and general unhappiness spoils the party. Then war breaks out. Is Adam's bright youth dimming with the fall of an empire?Written by
An issue of "The Daily Express" from October 1931 refers to Adolf Hitler as "the new German Chancellor." However, Hitler did not become Chancellor of Germany until January 30, 1933. See more »
I'm terribly sorry, but only mechanics, judges, and family are allowed beyond this point.
We're family. That one's my husband.
Only joking. He means he's my husband, don't you, darling?
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The end credits list the actors one or two at a time, showing pictures of their characters in the film along with their names. See more »
A most notable characteristic of this film is that it rather zanily merges the 1920's with the 1930's. That historical distortion may seem a slight defect to some viewers choosing to concentrate on a broader stage involving the upper class in its last throes of excess, but for me it destroys the underlying plot. The years before the Great Depression -- the Roaring 20's -- were sui generis. Moving everything forward to events as late as 1940 is a forced element that simply fails.
Otherwise, there are some bright young moments here. Character actors do indeed steal the show, even if some are given throw-away roles. If only there were better and more believable development of various interactions between the leads, it would make for compelling drama; but we are treated instead to campy olio resolving itself into a strange conclusion, somewhat surreal. For example, the business between Adam and Ginger having to do with money as WWII rages on is misplaced farce -- even if the audience assumes a generous disposition of credulity.
Little wonder outsiders looking in have a difficult time with this film, not to mention us history buffs.
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