Cohn is diagnosed with AIDS. He pushes Joe to take the job in Washington so he can help Cohn keep his job. Prior becomes more sick and goes to the hospital, Louis can't handle being there for him so ...
A fight with Joe leaves Louis badly scarred; Roy plays a final practical joke on Ethel; Prior wrestles the Angel and then addresses a review board in Heaven; Harper heads out West; Prior, outliving ...
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
God has abandoned Heaven. It's 1985: the Reagans are in the White House and Death swings the scythe of AIDS. In Manhattan, Prior Walter tells Lou, his lover of four years, he's ill; Lou bolts. As disease and loneliness ravage Prior, guilt invades Lou. Joe Pitt, an attorney who is Mormon and Republican, is pushed by right-wing fixer Roy Cohn toward a job at the Justice Department. Both Pitt and Cohn are in the closet: Pitt out of shame and religious turmoil, Cohn to preserve his power and access. Pitt's wife Harper is strung out on Valium, aching to escape a sexless marriage. An angel invites Prior to be a prophet in death. Pitt's mother and Belize, a close friend, help Prior choose.Written by
It saddens me to read some of the negative reviews of this film adaptation of Kushner's brilliant Pulitzer and Tony-winning play. I guess some people simply can't see past their bigotry. (I find it revealing that most of the negative reviews appear to be written by people who clearly have no idea that Roy Cohn was a real person, and I bet they never heard of the Rosenberg's either.)
I was lucky enough to see the Broadway production of Angels with the original cast, and it was without question the highlight of my 25 years of theatre-going. While I prefer the stage version over the film (I usually do), Nichol's film does an outstanding job of capturing the brilliance of Kushner's script.
Personally, I believe that Pacino gives the performance of his career, and Streep is amazing in her three roles. The other performances are quite solid as well.
This film not only won a record 11 Emmys, taking the award for Outstanding Miniseries and all four acting trophies, it also won those same awards at the Golden Globe presentations plus four SAG acting awards. In short, it won practically every award it possibly could.
I often have my Theatre 101 students read this play. I now look forward to being able to show scenes from the film version as well.
Obviously, I recommend this film highly.
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