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In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »
Based on a true story, this is about the Irish journalist Veronica Guerin (Cate Blanchett), a reporter for The Sunday Independent, who exposed some of Dublin's most powerful crime barons and drug lords in 1996. But later that year she was gunned down by assasins hired by the same criminal drug lords she exposed.Written by
Andreas Furumo <firstname.lastname@example.org>
Danny DeVito was also considering the Veronica Guerin story as a directing project. He met with her family when he was in Dublin doing promotional work for Matilda (1996) and hoped to cast Winona Ryder in the role. See more »
(at around 1h 25 mins) When we see Veronica through the sunroof of her car after she is shot, a hand is visible in the lower right corner of the sunroof, moving in and out of the shot. It appears to be a crew member's hand. See more »
Disclaimer in closing credits: "Chris Mulligan is a fictional composite character based in part on several different people, and certain events in which the character is depicted have been fictionalised for dramatic effect." See more »
Just as Veronica Guerin exposed Ireland's underworld drug dealers, Cate Blanchett's marvelous portrayal of Irish journalist-turned-anti-drug-crusader Veronica Guerin seemed to have the actress on a mission to prove that you don't have to look like a pop diva or act like a porn star to be a compelling female lead in a film.
Like many films with an ethnic flavor, we get a supporting cast of ethnic actors in slightly elevated roles from the norm. Most notable from that category are Gerard McSorley as the evil drug-lord, John Gilligan, and Ciaran Hands as street thug John Traynor, who plays both sides of the fence throughout the film.
The story is painful, not only because of what happens to Guerin, but in our knowing that her courage is a direct reaction to our general apathy towards wrongdoing, with so many of us looking the other way that the Veronica Guerins of the world are encouraged to fight evil after the fact, but left as sitting ducks or thrown to the wolves while they are still alive and making noise.
If there's one lesson every viewer of this film should exit with, it is that those of us who are not part of the solution, are part of the problem.
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