Jake Vig (Burns) is a consummate grifter about to pull his biggest con yet, one set to avenge his friend's murder. But his last scam backfired, leaving him indebted to a mob boss (Hoffman) and his enforcer.
Eve, A 9-year-old hardened by time as a neglected foster child, is accustomed to taking life seriously. So, when she meets Dave, a drunk thirty something who forgot to grow up, she sees an ... See full summary »
Jake Vig leads a small Los Angeles based team of grifters, each member who has his specific role in each con: Jake is the main man, Miles the adversary, Big Al the scared innocent bystander, and Gordo the dead shooting victim. He also has in his pockets crooked LAPD detectives Lloyd Whitworth and Omar Manzano who basically play themselves as needed. Beyond getting the money, the basic goal of each con is to ensure the mark is so scared by what has happened - usually being an accomplice in a "murder" - that he won't come back looking for the money. Jake learns the hard way that their latest mark, Louis Dolby, who they fleeced for $150,000, was carrying money for a criminal named King, who takes a no prisoners approach in getting even, he who knows who stole his money. Instead of returning the $150,000 to King, money which he no longer has anyway, Jake convinces King to parlay that money and a bit more into a bigger con against a mark of King's choice, that person being banker Morgan ...Written by
Alice in Chains vocalist William DuVall has a non-speaking, uncredited role as a bar patron in the opening moments of the film. The logo of DuVall's then-band Comes With The Fall also appeared in the movie. See more »
When Travis racks the slide on his pistol while threatening Jake, the slide remains locked back, indicating that the gun is empty. See more »
So I'm dead. And I think it's because of this redhead.
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Hmmm... I watched it and it sounded a lot like the Sting. And then I watched the documentary that came with the DVD and the screenwriter said that he watched "The Sting" and then wrote this movie.
He basically copied "The Sting." Just that he took out the characters and the ambiance. He added a wasted voice-over.
I think I can imagine the thought process behind this movie: Let's take "the Sting" and give it a noir edge to it. Then we'll update it to modern day LA (even though the screenwriter wanted a cliché-ridden NYC) and we'll include a whole lot of quick cuts and fancy colours because that's what the MTV generation likes these days.
Watch "The Sting" instead. It's much better.
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