Sgt. Bilko is a well-liked conman in charge of the army base's motor pool, developing a hover tank and unofficially of gambling etc. One man hates Bilko and he's coming to inspect the base for possible closure.
Peter Sanderson is a divorced, straight-laced, uptight attorney who still loves his ex-wife and can't figure out what he did wrong to make her leave him. However, Peter's trying to move on, and he's smitten with a brainy, bombshell barrister he's been chatting with online. However, when she comes to his house for their first face-to-face, she isn't refined, isn't Ivy League, and isn't even a lawyer. Instead, it's Charlene, a prison escapee who's proclaiming her innocence and wants Peter to help her clear her name. But Peter wants nothing to do with her, prompting the loud and shocking Charlene to turn Peter's perfectly ordered life upside down, jeopardizing his effort to get back with his wife and won a billion dollar client.Written by
Sujit R. Varma
When Peter prepares to open the door to meet Charlene for the first time he first dims the lights but actually there is only a switch and no dimmer. See more »
Oh, just one moment... you know, there's a lovely, sad, Negro spiritual...
[Sarah chokes on her food]
Ivy's brother used to... uh, are you all right?
[Sarah nods weakly and takes a sip of her drink]
Anyway, Ivy's brother used to sing this when he came in from the tobbaco fields...
[begins to sing]
Mmmm..."Mama, is master going to sell us tomorrow? Yes, yes, yes! Mama, is master going to sell us tomorrow? Yes, yes, yes! Mama... is master going to sell ME to-mor-or-or-row..."
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OK, so the white-yuppie-and-black-ghetto-person-joining-up idea has been used a number of times in movies, but the dialog between Steve Martin and Queen Latifah makes this one worthwhile. Probably the best scenes are Betty White's nasty comments, Queen Latifah teaching Missi Pyle a lesson, Steve Martin dressed - and attempting to talk - like a rapper (especially because of what Joan Plowright ends up doing in that scene), and of course, Eugene Levy's statements ending with "Boo". "Bringing Down the House" really does bring down the house. Completely silly, but fun nevertheless.
Who ever would have imagined Joan Plowright (aka Laurence Olivier's widow) doing what she did and saying what she said in the rapper scene?
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