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The Kid Stays in the Picture (2002)

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Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).

Writers:

Robert Evans (book), Brett Morgen (screen adaptation)
4 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
Robert Evans ... Narrator
Rest of cast listed alphabetically:
Eddie Albert ... Himself (archive footage)
Peter Bart ... Himself (archive footage)
Charlie Bluhdorn Charlie Bluhdorn ... Himself (archive footage)
William Castle ... Himself (archive footage) (as Bill Castle)
Francis Ford Coppola ... Himself (archive footage)
Catherine Deneuve ... Herself (archive footage)
Charles Evans Charles Evans ... Himself (archive footage)
Josh Evans ... Himself (archive footage) (as Joshua Evans)
Mia Farrow ... Herself (archive footage)
Errol Flynn ... Himself (archive footage)
Ava Gardner ... Herself (archive footage)
Karen Greenberger Karen Greenberger ... Herself (archive footage)
Ernest Hemingway ... Himself (archive footage)
Arthur Hiller ... Himself (archive footage)
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Storyline

This documentary captures the life story of legendary Hollywood producer and studio chief Robert Evans. The first actor to ever to run a film studio, Robert Evans' film career started in 1956, poolside at the Beverly Hills Hotel. His good looks, charm and overwhelming confidence captured the eye of screen legend Norma Shearer, who offered him a film role. After a glamorous--but short-lived--career as a movie star, Evans tried out producing. At the age of 34, with no producing credits to his name, he landed a job as chief of production at Paramount Pictures. Evans ran the studio from 1966-1974. During his tenure, he was responsible for such revolutionary films as The Godfather, Rosemary's Baby, Love Story, The Odd Couple, Harold and Maude and Chinatown. By the early '80s, the Golden Boy of Hollywood was losing his luster. After a failed marriage to Ali MacGraw, a cocaine bust and rumored involvement with the Cotton Club murder, he disappeared into near-obscurity. Only through ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

The Story Of A Man Who Seduced Hollywood. See more »


Motion Picture Rating (MPAA)

Rated R for language and some brief violent and sexual images | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

16 August 2002 (USA) See more »

Also Known As:

A kölyök képben marad See more »

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Box Office

Opening Weekend USA:

$89,087, 28 July 2002

Gross USA:

$1,434,436
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The title comes from a line attributed to studio head Darryl F. Zanuck. Several of the actors involved in the film The Sun Also Rises (1957) (as well as author Ernest Hemingway himself) had insisted Evans be removed from the cast. Zanuck refused: "The kid stays in the picture! And anyone who doesn't like it can quit!" See more »

Goofs

The closing credits say that Evans has been at Paramount for over 35 years, "more than any other producer on the lot." However, A.C. Lyles has been with Paramount for 75 years (as of 2003), though he is no longer actively producing. See more »

Quotes

Robert Evans: Luck is where opportunity meets preparation.
See more »

Crazy Credits

Thanks to Anonymous Content See more »

Connections

References The Godfather: Part II (1974) See more »

Soundtracks

L'Amour est Bleu
Music by André Popp
Lyrics by Pierre Cour
Performed by Paul Mauriat
Published by Intersong USA, Inc. (ASCAP),
O/B/O Intersong Paris S.A.,
Radmus Publising Co. & SDRM
Courtesy of Universal Music S.A. (France)
Division Mercury under license from Universal Music Enterprises
See more »

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User Reviews

The Eyes Stay Glued to the Screen
28 September 2002 | by rrgriffithSee all my reviews

This is an exceptionally fine, creative documentary about the man who was behind most of the great films of the 70's and 80's. What an terrific use of still photos and music, done in such a way (and using a technique that seems to make some of the stills "move" and appear 3-D)as to make Ken Burns' style appear downright antique. For anyone who grew up with the movies, especially the great ones of the last 20-30 years, this is an absolute must-see.


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