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Home on the Range (2004)

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To save their farm, the resident animals go bounty hunting for a notorious outlaw.

Directors:

Will Finn, John Sanford
5 nominations. See more awards »

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Cast

Cast overview, first billed only:
G.W. Bailey ... Rusty, the Dog (voice)
Roseanne Barr ... Maggie (voice)
Bobby Block Bobby Block ... Piggy (voice)
Steve Buscemi ... Wesley (voice)
Carole Cook ... Pearl Gesner (voice)
Charlie Dell ... Ollie, the Pig (voice)
Judi Dench ... Mrs. Caloway (voice)
Charles Dennis ... Rico (voice)
Marshall Efron ... Larry, the Duck (voice)
Joe Flaherty ... Jeb, the Goat (voice)
Cuba Gooding Jr. ... Buck (voice)
Charles Haid ... Lucky Jack (voice)
Estelle Harris ... Audrey, the Chicken (voice)
Lance LeGault ... Junior, the Buffalo (voice)
Sam Levine ... The Willie Brothers (voice) (as Sam J. Levine)
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Storyline

Alameda Slim, a wanted cattle rustler, uses an alias to buy up properties all over western Nebraska, and his next target is the Patch of Heaven dairy farm, where the widow owner cares more for her 'family' of yard animals than she does for profit. She just doesn't have the cash to keep in business or to prevent Slim from taking her farm. The animals, mainly carefree youngsters, are unable to help, however, three cows of very different temperaments rise to the desperate occasion and set out to do battle for their dream home. They team up with the sheriff's megalomaniac horse and any other animal who can possibly help, even a crazy lucky rabbit and an invincible buffalo. Written by TS

Plot Summary | Plot Synopsis

Plot Keywords:

farm | rustler | dairy farm | cattle | cow | See All (102) »

Taglines:

"Beef Thief" See more »


Motion Picture Rating (MPAA)

Rated PG for brief mild rude humor | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English | Mandarin

Release Date:

2 April 2004 (USA) See more »

Also Known As:

Sweating Bullets See more »

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Box Office

Budget:

$110,000,000 (estimated)

Opening Weekend USA:

$13,880,771, 4 April 2004

Gross USA:

$50,030,461

Cumulative Worldwide Gross:

$103,951,461
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.77 : 1
See full technical specs »
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Did You Know?

Trivia

Lucky Jack is a jackrabbit with a peg-leg and incredibly bad luck, implying that someone took one of his feet, and with it all his good luck. See more »

Goofs

The sheriff auctions off the farm to Alameda Slim, saying "The farm, and all the livestock that goes with it, sold to Y. O'Del." A moment later, we see him auctioning off the chicks at the farm. See more »

Quotes

Buck: Hey! Jump back, kiss myself!
See more »

Crazy Credits

At the beginning, the almost-formed logo is branded onto a piece of leather. Then the arc fires in and then burns up to opening shot. See more »

Connections

Referenced in Ralph Breaks the Internet (2018) See more »

Soundtracks

Yodle-Adle-Eedle-Idle-Oo
Music by Alan Menken
Lyrics by Glenn Slater
Slim Performed by Randy Quaid
Yodeling by Randy Erwin and Kerry Christensen
Willie Brothers Performed by David Burnham, Jason Graae and Gregory Jbara
Contains interpolations from the "William Tell Overture" by Gioachino Rossini, "Yankee Doodle", and Ludwig van Beethoven's 9th Symphony
See more »

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User Reviews

Nice visuals, otherwise unexceptional
11 April 2004 | by florafairySee all my reviews

While the film wasn't a total dud a la "Treasure Planet," it's certainly no "Little Mermaid," or even "Emperor's New Groove," which I consider the best of the latest crop of cartoons for its hip sensibility. "Home on the Range" suffers from an unoriginal and unfunny script, although it is not tediously poor or Saturday-morning-cartoon simple. To begin, there is an overabundance of plastic-playset ready characters (literally a whole farm full): the trio of bounty-hunting heifers played by Roseanne Barr, Judi Dench, and Jennifer Tilly; the yodeling cattle rustler Alameda Slim (Randy Quaid) and his three bumbling nephews; the wannabe-hero steed Buck (Cuba Gooding Jr-- who ok'ed that name?); two lascivious bulls; a buffalo bouncer; a peg-legged jackrabbit; and a whole farmyard of pigs, chickens, a goose, and a surly goat. Oh, and Steve Buscemi shows up too, as a caricature of himself in a purple suit and a pencil moustache. Estelle Harris and Patrick Warburton (so memorable in "Toy Story 2" and "Groove," respectively), had brief cameos as well. There's no time for any kind of character development (not even with a sacred Disney "I Want" song), and the thinnest of premises has the cows hunting for Slim in time to get the reward money to save their farm. I was surprised not by the simplicity but by the unnecessary, unfunny bawdiness of the script (the movie opens with a shot of the Barr cow's ample udders, with her voiceover dryly remarking "Yep, they're real. Quit staring." Crossdressing, pee, and fat man jokes follow.) Alan Menken wrote a few snappy but unmemorable tunes (none of which are sung by the characters, but by the likes of Bonnie Raitt and k.d. lang) and a Coplandesque score. The film redeems itself in its art direction, which bursts with Disney color and retro UPA-style angularity. Especially in the opening scenes, a multiplane effect is used to further flatten, rather than deepen, this storybook world. It's an interesting and visually engaging concept that works well for the story. Backgrounds are intricately detailed with drybrush effects that call to mind "Sleeping Beauty;" if that film's art director, Eyvind Earle, had been called upon to paint the rocks and buttes of the American desert, it would have looked very much like this. It's quite stunning, actually, and the best art direction since 1996's "The Hunchback of Notre Dame." I especially appreciated a background detail in the town scene: one of the buildings was actually only a facade, held up by supports like on a backlot Western set. Similarly, sooner or later, not just critics but parents too will demand the Disney animated features to show that they have something behind that venerable name. "Home on the Range" will tide us over for now, but a renaissance of Disney is getting to be overdue. The Disney animation department (what's left of it), like it or not, needs to take a cue from Pixar and strive for family-friendly originality if they hope to maintain the integrity of the brand. ***


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