In turn-of-the-20th-century upstate New York, Winnie Foster, a 12-year-old girl, discovers a family living in the woods near her family's home who never ages thanks to a magical spring they... See full summary »
Frederick King Keller
Fred A. Keller
Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
Grace is excited for the summer so she can start a business with her friends, but things take an unexpected turn when her mom announces a trip to Paris. There, Grace must learn to get along... See full summary »
Winnie Foster has everything a young woman could desire. She comes from a well-bred, wealthy, and respected family. She dresses in the finest clothes and is afforded every opportunity to refine herself. But Winnie finds that the heat of summer is not nearly as stifling as her gilded cage. She longs for freedom, for adventure. She escapes one morning to explore the woods surrounding her family's home, and encounters the Tucks, a close-knit family with a mysterious past that begs the question: If you could live forever, would you? And just when Winnie believes she has answered that question for herself, a mysterious man looking to profit from the source of the Tuck's immortality that will have her question her life, her desires, and what is the right thing to do. And in the end, learns, that death is not what is to be feared, but an unlived life.Written by
When Robert Foster is talking to the Man in the Yellow Suit at the police station, the right-hand side of the collar of the man's shirt keeps on going up and down between shots. See more »
There it is.
[Pointing to a mountain]
This is the Eiffel Tower?
The one in Paris - it's pretty tall. Mine is two feet higher.
[They start to climb the mountain]
Have you really seen the real one in Paris?
Yes I have. And climbed 1.652 stairs to the top. Much easier than this. You doin' all right?
I think so
You're doin' great. Here
[Gives her a helping hand]
If I went to the Eiffel Tower I would take one of those elevators.
[...] See more »
Other than production logos and the title, there are no opening credits. See more »
This is the best adaptation of a classic children's book I've seen in a very long time. Nearly everything in this film is just right. Of all the live-action films that Walt Disney produced in his lifetime, one he was very proud of was the 1960 POLLYANNA, and TUCK EVERLASTING reminded me of POLLYANNA in several key aspects. Like POLLYANNA, TUCK has a meticulous attention to period details (it takes place in 1914). Also like POLLYANNA, it has some high-powered acting talent in peripheral roles, with the main focus of the story on younger, less well-known actors. The cinematography is beautiful, with a rich interplay of light and shadow, and to best appreciate this aspect, you should try to see it in a theater with the brightest picture available. Like another classic children's book (CHARLOTTE'S WEB) TUCK EVERLASTING explores philosophical concepts of life and death and eternity that most adult films, much less children's films, ever touch on. I hope that TUCK doesn't end up comparable to POLLYANNA in one key area: lack of box-office success. Walt was extremely disappointed when, despite the loving attention he garnished on the film, audiences for the most part stayed away. TUCK EVERLASTING deserves to be a huge success. Hollywood has come under frequent criticism for not making enough family-friendly films, but it seems that when a rich, intelligent film does come out, it's ignored. I hope and pray that this one won't be.
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