5.7/10
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80 user 12 critic

Liberty Stands Still (2002)

Liberty, the wife of a gun manufacturer, is held hostage at a hot dog stand by a sniper seeking revenge.

Director:

Kari Skogland

Writer:

Kari Skogland
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Cast

Cast overview, first billed only:
Tanya Allen ... May
Hart Bochner ... Hank Wilford
Fulvio Cecere ... Burt McGovern
Gregory Calpakis ... Vince (as Greg Calpakis)
Terry Chen ... Officer Tom
Garvin Cross ... CIA Henchman #1
Roger Cross ... Officer Miller (as Roger R. Cross)
Martin Cummins ... Russell Williams
Keith Dallas Keith Dallas ... Young Man
Linda Fiorentino ... Liberty Wallace
Marrett Green Marrett Green ... Gary P. Evans - Reporter #2
Darcy Laurie ... Drunk Guy
David Lewis ... Businessman
Robert Lewis ... Fireman Frank
Brian Markinson ... Rex Perry
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Storyline

A gunman ties up an actor and locks him in his dressing room just before a performance. He also puts a bomb with a 90-minute timer next to the actor. Then, he goes to a room above an LA plaza and draws a bead on the actor's lover, international arms dealer, Liberty Wallace. Calling himself "Joe," he calls her cell phone, demonstrates that a rifle is pointed at her, and tells her to cuff herself to a hot-dog cart nearby (the cuffs are there). Over the next 90 minutes, the story unfolds: as a result of his daughter's death, he wants a public debate on the Second Amendment. As Liberty begins to bond with Joe on the phone, he gets some truths from her - and his revenge. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

In the game of life and death... you only lose once.

Genres:

Action | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany | Canada

Language:

English

Release Date:

3 May 2002 (Italy) See more »

Also Known As:

Appel au meurtre See more »

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Box Office

Budget:

$11,000,000 (estimated)

Cumulative Worldwide Gross:

$595,214
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Goofs

The multiple shots about sniper nest show, his rifle has set position to cover area around hot dog stand and covering area is very narrow because of opened only last bottom slot in louvers. However, when Liberty's husband killers (and later from CIA) start shooting on Liberty from building roof or top car park level, Joe found them in his sniper scope and hit them. The view from scope showing picture, that rifle is on same level or below of target, but for such angle sniper would must change angle of rifle to position, where are closed louvers. And he definitely would not move louvers, it would reveal his position. Especially when all SWAT snipers was around. See more »

Quotes

[first lines]
Liberty Wallace: [on phone] I'm not wearing any underwear, and you going to be able to concentrate?
Russell Williams: Not if you're aren't here.
Liberty Wallace: [laughs] I'm on my way.
See more »

Connections

Referenced in Bad Movie Beatdown: Blade Trinity (2012) See more »

Soundtracks

Creatures
Performed by Carmen Rizzo
Written by Carmen Rizzo, Christina Calero, Ashley Slater and Joel Shearer
Published by Povi-Lu Music
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User Reviews

Audience Captured
24 September 2002 | by asmeltzer9369See all my reviews

There's an interesting audience response to this movie. The director has captured the audience in the movie theater and forced it to take

a look at the handgun issue...not by getting the audience's attention with car chases and breasts heaving up and down while sexy things run, like in an action film, but with a hostage taking. And everyone's in the trap, including the audience.

The hostage and the guy pointing the gun (Wesley Snipes) are trapped in their standoff for most of the film. Meanwhile layers peal away as we begin to understand more and more about the source of the pain and the reason for the target of the desperate action.

The audience likes to be on the side of some main character who is outside of the stand-off, the person that will cause strength and good to prevail; but the director has ingeniously put the audience identification into the stand-off: equally into the emotional trauma of both the hostage and the hostage taker. Eventually you begin to feel the absurdity and desperation of the situation; eventually you realize that both feel trapped, and consequently the audience has little relief from the situation.

There's no Arnold Schwarzenegger coming to the rescue by blazing bigger more illegal weapons, and that is exactly what is intended, in my opinion. The big pay-off in this film is that it actually makes the audience think! Uncomfortable for some, but certainly worthwhile as a political statement and interesting filmmaking.


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