In 1918, civil wars are tearing Russia and China apart. Laconic adventurer Corto Maltese is hired by a Chinese secret society to capture a train that's taking Tzar's gold abroad. His friend Rasputin joins him, but only hell awaits them.
In 1913, laconic sea captain Corto Maltese, adrift in the Pacific, gets rescued by his bandit friend Rasputin who's taking two rich shipwrecked teens to an island where his boss the Monk will hold them for ransom. WWI complicates things.
David Le Rheun
In 1916, laconic adventurer Corto Maltese is in Paramaribo, Surinam visiting his mystic female friend Java. He helps a young heir haunted by voodoo spirits, delivers some weapons to rebels in Brazil and hunts for treasure with Rasputin.
In 1921, laconic adventurer Corto Maltese is in Turkey where several armed factions fight for control. He finds a map to a lost Persian treasure there. He'll need his friend Rasputin who's in Samarkand prison run by Corto's double.
In 1915, laconic adventurer and former ship captain Corto Maltese, a popular European comic book character, is in war-torn Europe. During WWI, he visits four historical locations - Venice, Caporetto, Stonehenge and Vaux-sur-Somme.
Compilation of three stories about laconic adventurer Corto Maltese set in 1918. He infiltrates a fort where young prince Saud is being held, tries to stop a war between two African tribes and investigate the secretive "Leopard-Men".
Compilation of three adventures of laconic adventurer Corto Maltese set in 1917. He searches for El Dorado in Venezuela, finds a suitcase every political faction in Honduras will kill for and helps Sinn Féin fight the British army.
At the dawn of the 20th century, Corto Maltese, a sailor and an adventurer, is hired by a Chinese secret society to steal Russian gold carried on an armored train travelling at fast speed through Siberia.
At the end of 1918 while civil war is raging on in Russia, antagonism is slowly spreading to the East, between the Oural mountains and Shanghai. Stuck between a desire to save what's left of the great Imperial Russia, and starting from a clean slate, old generals, secret organizations, and mercenaries attracted by gold, struggle to take advantage of the events. As Corto Maltese returns to Shanghai, he barely gets time to cross paths with his old friend/nemesis Raspoutine, and escape a murder attempt before being contacted by members of a Chinese secret organization called "The Red Lanterns". In the heart of violent Mandchourian horizons, Corto and Raspoutine launch themselves into a fabulous treasure hunt, following the tracks of the mysterious armor-plated train of Koltchak. A steel monster spiked with canons and machine guns, this trains protects the counter-revolutionaries gold, traveling through Mongolia, and! Mandchouria. While following the bloody trail of this doomed train, ...Written by
Corto Maltese is a popular European comic book character, the hero of an eponymous comic book series created by late Italian comic artist Hugo Pratt (1927-1995). Most stories are set near, during or just after World War I and follow Corto, a laconic sea captain and adventurer who often travels to exotic places around the world, but rarely gets anything out of it. The brutality of the world and this chaotic era is often depicted in these stories. Secret societies, mad warlords and other more behind-the-scenes players are met by Corto more often than he'd like. This movie is based on one of these stories. See more »
I think the director and animators did a tremendous job. I am a big fan of Pratt's art, and to be honest didn't expect much from the movie. The comic has a recognizable atmosphere, that I sincerely doubted can be successfully moved to the screen.
But luckily - I was wrong. I was delighted with the final result. The atmosphere was there, just the way it should be - I actually felt like reading the comic.
But beware - if you are not familiar with Pratt's work, or if you don't really love it - I doubt you can appreciate this piece. Also, this is a European movie, not American. It is very, very non-typical, and I fear that most of American public may find it confusing, probably even boring.
The scenes are long and slow, the director doesn't rush anywhere, takes the time to show each facial expression, to give a weight to every said word. Just as the comic does.
Also, in order to enjoy Pratt's art, you have to know a lot - you have to be interested in history, geography, legends, culture of various nations, mysticism, different religions and beliefs... And the same is true for this film. So - no, this is definitely not a movie for a typical American consumer.
In short - if you know and like Pratt's work, you will probably enjoy the movie. Otherwise - you probably won't like it at all.
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