Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or receive outside help, Stuart's negotiation with the caller leads to a jaw-dropping climax.
Based off of a one time T.V. show, two Los Angeles S.W.A.T. officers Jim Street and Brian Gamble were sent in to foil an extremely violent bank robbery. Although they thwarted the robbery, they shot a hostage in the process. Street was suspended from S.W.A.T. while Gamble was fired altogether. After 6 months, a veteran S.W.A.T. officer, Daniel Harrelson or "Hondo", is told to assemble a S.W.A.T. team for his division. He chooses other S.W.A.T. officers as well as 3 rookies. However, after they pass the S.W.A.T. training, they receive a message that a French crime boss, known as Alex Montell is trying to escape from prison. This will not be easy to prevent, especially after Montell promises $100 Million to his rescuers.Written by
When a location was being picked for the plane escape, one consideration was closing Interstate 405, or a stretch of another highway, on which to land a Learjet, but that was "out of their reach", so they shut down the 6th Street bridge, from six p.m. to five a.m., every night for filming, and used CGI effects for the plane's approach. The scene with the aircraft taking off, was actually done, with an aircraft equipped with a V-8 engine, so they could drive it down the bridge. See more »
Street's hairstyle changes when he's driving Hondo around to look for a new SWAT crew. See more »
How can I trust a man who won't eat a good old-fashioned American hotdog?
He's a vegetarian.
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Director Clark Johnson, who appears in the film briefly as Deke's beat partner, is credited as 'Deke's Handsome Partner'. See more »
One of the better tv-series-to-big-screen-adaptations
S.W.A.T. (2003) *** Colin Farrell, Samuel L. Jackson, Michelle Rodriguez, LL Cool J, Josh Charles, Jeremy Renner, Brian Van Holt, Olivier Martinez, Reg E. Cathey, Larry Poindexter, Ashley Scott, Denis Arndt, Reed Diamond, Lucinda Jenney. Better than anticipated big-screen adaptation of the 1970s cult classic police drama about the elite Special Weapons and Techniques division of the LAPD skillfully directed by tv veteran Clark Johnson (who cut his chops on 'Homicide: Life on The Street' and 'The Shield) with the focus on an oily French baddie (Martinez) making a routine prison transfer a dicey situation when he proclaims to give $100 M for his release from the cops custody ensuing all sorts of pitfalls and unexpected turns along the way. The screenplay by Ron Mita, Jim McClain and Davids Ayer and McKenna keep things lively but allow the action to occur gradually after each new member is incorporated into the fold, and (finally) Farrell proves his worth as a leading man in a big Hollywood film as the head-strong yet by-the-book disgraced member looking for redemption and Jackson as his no-nonsense leader of the pack. Expertly choreographed action sequences and some needed humor add to the mix of the been-there-done-that histrionics that naturally unfold
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