A surrealist tale of a man and a woman who are passionately in love with each other, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
A movie producer, director and assistant take the Trans-Europ-Express from Paris to Antwerp. They get the idea for a movie about a drug smuggler on their train and visualize it while taping the script.
Martin is a fisherman without a boat, his brother Steven having re-purposed it as a tourist tripper. With their childhood home now a get-away for London money, Martin is displaced to the estate above the harbour.
A newly-wed country boy receives the terrible news that his mother is dying, and takes a long and dangerous bus trip to the city to contact a notary for her last will and testament. Will he resist temptation and do the right thing?
An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family. Little by little, ... See full summary »
Víctor Manuel Mendoza
After discovering he's being cheated on by his wife María, Quintin kicks her out of the house. Upon leaving, his wife confesses that their daughter Martha is actually not Quintin'd daughter... See full summary »
A useless and bloody vendetta has been going on for ages between two families in this mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor... See full synopsis »
After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is ... See full summary »
Different people explain in this fine documentary how Luis Buñuel started to invent surrealist cinematic imagery and why he wanted to shock people and why he despises organized religion, faith and of course certain bourgeoisie. The importance of Toledo (to Jose Bello, Dali, Buñuel and Lorca) is explained and what impact Velazquez, Goya and Cervantes had in Buñuel's films. Also explained is why the acting in his films is always sober and never over-acted (i.e. use of eyebrows and nodding etc.). Although it is in chronological order from birth to death, it somehow does not feel complete. But a documentary can't really fathom ALL essential factors in the life and work of such an icon in cinema in 98 minutes, when 8 minutes are spent on how Buñuel used to drink his Martini's.
'I discovered cinema in 1908 as an attraction at the carnival: a simple technical discovery. But it was the invasion of something totally new in our Medieval universe.'
More than twenty friends, actors, cinematographers, family and writers are interviewed and there are many excerpts from most of Buñuel's films. Luis Bunuel even has some screen time as he is interviewed (that must be at least 18 years before the making of this documentary). I was disappointed that neither cinematographer Edmond Richard, who shot Bunuel's last three films and Le Proces (Welles, 1963), wasn't interviewed nor Fernando Rey. Another flaw is that Buñuel is made into a hero, while he made mistakes too: e.g. why was it that he never worked with Dali again after l'Age d'or? Wasn't that because of major differences in the visual ideas of Buñuel and Dali? The riot over l'Age d'or is illustrated though. I was delighted to see that the emphasis in this documentary is on Buñuel as a person and on his surrealist freedom. If you like one or more of the films by Buñuel, you will want to see this (twice).
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