As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of achieving.
A yakuza enforcer is ordered to secretly drive his beloved colleague to be assassinated. But when the colleague unceremoniously disappears en route, the trip that follows is a twisted, surreal and horrifying experience.
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
In Tokyo, Shigeharu Aoyama is a widower that grieves the loss of his wife and raises his son Shigehiko Aoyama alone. Seven years later, the teenage Shigehiko asks why his middle-aged father does not remarry and Shigeharu meets his friend Yasuhisa Yoshikawa, who is a film producer, and tells his intention. However, Shigeharu has difficulties to approach to available women to date and Yasuhisa decide to organize a sham audition for casting the lead actress for the fake movie. They receive several portfolios of candidates and Shigeharu becomes obsessed by the gorgeous Asami Yamazaki. Despite the advice of the experienced Yasuhisa, Shigeharu calls Asami to date and he falls for her. But who is the mysterious Asami?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The music video for the first single of My Chemical Romance (Honey, This Mirror Isn't Big Enough for the Two of Us) had a very similar storyline to the movie, but with a different ending. See more »
During their weekend getaway, Asami clearly removes all of her clothing then lies in bed and covers with a sheet. She then raises the sheet to expose the wounds on her thigh. The white panties can clearly be seen despite the fact that she just removed them. See more »
Everybody faces this situation in his/her life sooner or later. You only just started a relationship and you are about to watch your first movie together. Personally you wouldn't mind a fair portion of violence and chills, but you suspect and worry that the other half prefers a slow and story-driven film with the emphasis on character development. But you needn't worry about this any longer, as Takashi Miike's "Audition" can perfectly satisfy both extremes. At least, theoretically speaking it can! This unforgettable and undeniable Japanese cult monument unfolds as a stylish and slow better make VERY slow moving romance drama, yet gradually but surely turns into a stomach-churning and nerve-tangling paranoia thriller with one of the most astonishingly engrossing climaxes ever captured on film. After seven years of living as a widower and devoting everything to raising his son, Aoyama wishes to remarry. A befriended movie-director wants to help Aoyama with meeting new women and arranges auditions for a non-existent movie. Aoyama immediately falls for the beautiful ex-ballet dancer Asami and carefully begins dating her. She's a beautiful young girl, but extremely introvert and mysterious. Aoyama's life subsequently turns into a psychological nightmare, yet the film's main strongpoint is how Miiki never fully reveals whether this girl is a lethal psychopath out for vengeance against the entire male race or that all the horror exclusively spawns from the protagonist's guilt and paranoid mindset. "Audition" is a truly strange and unique film. Miiki almost effortlessly seems to combine ambiances and elements that you always considered impossible to combine. At several moments during the first hour of the film, when the relationship between the two lead characters laboriously develops, you really wonder yourself how such a sober and melodramatic love story could possibly transgress into a reputedly shocking horror film, but it does! And how! The final ten-fifteen minutes are guaranteed to make you cringe and crawl in your seat and, I swear, you'll never look at a piano the same way again. I definitely also wouldn't advise this film if you already have a phobia for needles. Right from the opening sequences, Miiki effectively creates an intense atmosphere of depression and disturbance and maintains it throughout the entire film. He could also clearly rely on highly skilled and professional cinematographers, editors and production designers. The music is stupendous and the performances of both lead actor Ryo Ishibashi and Eihi Shiina are damn near perfect. This was Takashi Miiki's big international breakthrough achievement, and the least you could say is that he deserved it!
37 of 49 people found this review helpful.
Was this review helpful to you?
| Report this