Horror following a group of medical students who come across the body of the world's most notorious vampire, Dracula (Stephen Billington). When a mysterious stranger appears and offers the ... See full summary »
Jason Scott Lee,
In the near future, Uffizi and Luke travel to the remote reaches of war torn Romania to rescue Elizabeth and finish the vampire once and for all. Along the way, they encounter TV news journalist and a corps of rebels trying to fight the vampire uprising which plagues their country.
Jason Scott Lee,
As his kingdom is being threatened by the Turks, young prince Vlad Tepes must become a monster feared by his own people in order to obtain the power needed to protect his own family, and the families of his kingdom.
A romanced story of Attila the Hun, from when he lost his parents in childhood until his death. Attila is disclosed as a great leader, strategist and lover and the movie shows his respect ... See full summary »
In the millenium version of this classic Gothic horror we find Abraham Van Helsing (Plummer), who has tangled with Count Dracula (Butler) in the past, working as an English antiques dealer. Simon (Miller) is a vampire hunter in training under his apprenticeship. Van Helsing and Simon travel from London to New Orleans to rescue Van Helsing's daughter Mary (Waddell) from the family's life long nemesis - Dracula.Written by
Sujit R. Varma
Alternate versions and Deleted scenes from the DVD include: An extended version of the final confrontation between Dracula and Van Helsing. An alternate version of the scene where Dracula attacks Valerie at the site of the plane crash. In this version he can be seen rising from the swamp behind her. He also says the line which could only be heard in the previews, "There are things much worse than death". A longer and much more dramatic version of the scene where Dracula talks to the Jesus on the neon cross. Dracula explains how he feels that he was the one who was betrayed. A longer version of the scene where Van Helsing and his accomplices trap Dracula in London. This was originally the opening scene to the film. A scene where vampire Val approaches Simon before leading him into the crowded streets of New Orleans during Mardi Gras. During the Judas fantasy sequence, Mary walks up to Dracula while he's hanging from a tree. The rope around his neck breaks and he attacks Mary. After finding her father, Mary walks out into the hallway where she meets vampire Lucy for the first time. This was replaced by the scene where the hallway becomes longer and Mary is approached by all three vampire brides instead of just Lucy. See more »
The opening sequence (set pre-2000) contains a shot of London, including the Houses of Parliament, with a black-roofed building opposite (which, in fact, was not built until 2000). Later during the movie, now set in the present day, a similar shot correctly shows this building under construction, with bare foundations. See more »
[Translating Slavic text on a crossbow]
"All fear he who walks beneath the crown of Eternal Night."
Abraham Van Helsing:
No, no, no, no, it's not crown, it's halo; beneath the Halo of Eternal Night
Oh, well, you see why the design never survived. And look how heavy it is compared to what they were using in England at the time.
Abraham Van Helsing:
[talking about the crossbow in his hands]
Ah, while the English made them for firing arrow shafts of wood, this was made for firing metal... silver.
See more »
As the credits roll, interspersed in the words, are coloured pictures of things important to the movie's premise, including a row of teeth, a bat, and a cross. These pictures are seen both on the left and right sides. See more »
So...the title is a bit dodgy. "Dracula 2000". Ick. Nevertheless, I was pleasantly surprised by the quality of the film. To begin with, an interesting cast. Christopher Plummer has, previously, suffered from what I call "Michael Caine" syndrome; making any film that will write him a cheque, Johnny Lee Miller was amusing in "Trainspotting" and, let's not kid each other, there is no mystery as to why Jennifer Esposito and Jeri Ryan were cast. Round it out with some second and third tier young "Actors du jour" and you probably haven't spent too much money.
Now...the most irritating aspect of the film is the almost surreal amount of flagrant Virgin Records placement. Seriously....Mary works in one of the stores which means we get prominent t-shirt coverage....not to mention the gawdy neon sign, the truck in the garage etc.....however, Dracula needs virgins, right?
By far the most interesting part of this film was the story behind the creation of Dracula. Taking the myth back to the time of the crucifixion, with Judas Iscariot suffering some fairly serious guilt issues leading to his suicide and eventual "re-birth"....good angle: it helped to explain the vampires aversion to all things holy and dislike of silver (as in 30 pieces of...). Still don't get the mirror-phobia but hey....
Someone on the creative team of this film has a sweet little visual gag in store. Check out the scene in the Laffayette Cemetery...there is a crypt bearing the name "Spencer Hepburn". Nice one.
The ending is a little rushed and it seems that Miller might have left the set early that day, since he apparently vanishes. It also leaves blatant amounts of room for a sequel, but I wouldn't hold my breath.
That I even considered seeing this film was primarily due to Wes Craven's participation. However, I found it to be an imaginative and fairly tasteful modernisation of one of the all-time cinematic horror legends.
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