While on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality ... See full summary »
The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.
Davies' film is divided into three segments entitled "Children", "Madonna and Child", and "Death and Transfiguartion". The segments tell the life of Robert Tucker. The first segment looks ... See full summary »
At 22, Céline receives several shocks: her father dies and she learns she was adopted; she rejects her inheritance, so her fiancé jilts her. She's suicidal. A nurse sees her weeping in ... See full summary »
María Luisa García,
Olivia, an English teenager, arrives at a finishing school in France. The majority of the pupils in the school are divided into two camps: those that are devoted to the headmistress, Mlle ... See full summary »
Gillian Anderson plays Blanche DuBois in a prequel to A Streetcar Named Desire inspired by the Young Vic's production in which she starred. The film place takes place in the days before Blanche's arrival at her sisters Stella's home.
Terence Davies' The House of Mirth is a tragic love story set against a background of wealth and social hypocrisy in turn of the century New York. Lily Bart is a ravishing socialite at the height of her success who quickly discovers the precariousness of her position when her beauty and charm start attracting unwelcome interest and jealousy. Torn between her heart and her head, Lily always seems to do the right thing at the wrong time. She seeks a wealthy husband and in trying to conform to social expectations, she misses her chance for real love with Lawrence Selden.
Edith Wharton named the source novel after a passage from Ecclesiastes 7:4, "The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth." See more »
The film, which takes place during 1905-07, depicts several characters attending a performance of the opera "Cosi fan tutte" - but that opera was first performed in New York in 1922. See more »
Men have minds like moral flypaper. They will forgive a woman almost anything except the loss of her good name.
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Thanks to the staff of Kelvingrove Museum, the Lord Provost and staff at Glasgow City Chambers, residents of Kersland Street, all the staff at the Arthouse Hotel, Glasgow, and the Earls of Wemyss and March and Lady Wemyss. See more »
I'm not sure how this movie could get a bad review. Of course, there are those people who find its pace too slow. However, one must realize that this is a period drama; it's not meant to be an action-packed suspense thriller. Everything is subtle, but it is so beautifully prepared, thought out, and executed by all.
1. Were it for nothing else, the technical aspects of this film would have kept me watching until the very end. The music was perfectly placed to rise and fall with the internal emotions of the characters - especially Lily and Lawrence - and to express the turmoil of the social downfall of Lily. On top of that, you have phenomenal costumes and set with the most lavish colors. Lastly, and possibly what I found most fascinating about the film, was the lighting. it always seemed just bright enough or just dark enough to reflect the romance or dreariness. In addition, there is just not denying that the way the light fell upon Gillian Anderson in every, single scene is something I have never seen before.
2. The all-star cast! Gillian Anderson. Eric Stolz. Laura Linney. Anthony LaPaglia. Dan Akroyd. Do I have to go on? I can almost guarantee that you'll find yourself, at one point or another, yelling at the screen. These characters are so manipulative and deceitful and malicious. And Lily is so naive and just won't accept love when it's given!! I think the best thing about the cast and performances in this film is that watching the film and listening to it are 2 completely opposite experiences. The actors convey one thing with their faces and another with their voices; it's pure talent. I was amazed.
3. If nothing else, this film should watched purely for Gillian Anderson. This project was so different than her 'X Files' persona - and such a success, at that. The way she uses her eyes to express 5 different emotions in a matter of seconds blew me away. Her acting and utter vulnerability was awe-inspiring.
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