Loosely based on Homer's "Odyssey," the movie deals with the picaresque adventures of Ulysses Everett McGill and his companions Delmar and Pete in 1930s Mississipi. Sprung from a chain gang and trying to reach Everett's home to recover the buried loot of a bank heist they are confronted by a series of strange characters--among them sirens, a cyclops, bank robber George "Baby Face" Nelson (very annoyed by that nickname), a campaigning governor and his opponent, a KKK lynch mob, and a blind prophet who warns the trio that "the treasure you seek shall not be the treasure you find."Written by
Armin Ortmann <email@example.com>
The character of Sheriff Cooley, who is never referred to by name, fits Tommy Johnson's description of the Devil exactly: "He's white, as white as you folks, with empty eyes and a big hollow voice. He likes to travel around with a mean old hound." Sheriff Cooley is also a tribute to Boss Godfrey (played by Morgan Woodward), the sinister chain-gang boss in Cool Hand Luke (1967). Like Godfrey, Cooley's eyes are never seen, and his mirrored sunglasses reflect his surroundings (usually fire). In "Cool Hand Luke," Boss Godfrey is referred to as "the devil" by several of the prisoners. See more »
While Everett eats some stolen pie, he throws his newspaper into the fire. As the first page of the newspaper burns away to reveal the second page, a piece of masking tape is visible attached to the left side of the second page. The tape holds the second page flat enough that it doesn't burn or curl quickly, so that movie viewers can read the second-page headline, "Soggy Bottom Boys A Sensation - But Who Are They?" See more »
Ulysses Everett McGill:
Say, any of you boys smithies? Or, if not smithies per se, were you otherwise trained in the metallurgic arts before straitened circumstances forced you into a life of aimless wanderin'?
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The credit for Alan J. Schoolcraft, the president of operations for Mike Zoss Productions, is all in Spanish: "El Encargado de Mike Zoss Productions" See more »
We lived through the depression and related to some of the conditions portrayed. We have watched it perhaps a dozen times. Each time we see it we pick up on something we had missed because we were still laughing at, or discussing, an earlier scene or line. The entire film was a collection of photographically great faces. We are still asking ourselves whether the entire cast were professionals or whether some were individuals found on location. The film was rich with subtle tie-ins like the children tied together with twine, as the prisoners were connected by chains. We still think the cow may have been hit unintentionally. Fords of that era had mechanical brakes. The driver of the car may not have been accustomed the longer stopping distances required. The many allusions to Ulysses Odyssey inspired us to do an inter-net search. We found a modern text version and discovered more sly references. We appreciate blue grass and country music as originally American and found it thoroughly enjoyable, along with the authentic "Go To Sleep Little Baby" and "Down from the Mountain." We were emotionally touched by this film because of our age, and find it totally entertaining every time we view it. We are still amazed that someone not of our generation could have captured the essence of that period of United States history.
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