7.1/10
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166 user 44 critic

Human Traffic (1999)

R | | Comedy, Music | 5 May 2000 (USA)
Five friends spend one lost weekend in a mix of music, love and club culture.

Director:

Justin Kerrigan

Writer:

Justin Kerrigan
9 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Simm ... Jip
Lorraine Pilkington Lorraine Pilkington ... Lulu
Shaun Parkes ... Koop
Nicola Reynolds ... Nina
Danny Dyer ... Moff
Dean Davies Dean Davies ... Lee
Peter Albert Peter Albert ... Lulu's Uncle Eric
Jan Anderson ... Karen Benson
Terence Beesley ... Moff's Father
Sarah Blackburn Sarah Blackburn ... Jip's Ex #2
Anne Bowen Anne Bowen ... Moff's Grandmother
Neil Bowens Neil Bowens ... Asylum Doorman
Peter Bramhill ... Matt
Jo Brand ... Reality (voice)
Stephanie Brooks Stephanie Brooks ... Fleur
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Storyline

The Cardiff club scene in the 90's: five best friends deal with their relationships and their personal demons during a weekend. Jip calls himself a sexual paranoid, afraid he's impotent. Lulu, Jip's mate, doesn't find much to fancy in men. Nina hates her job at a fast food joint, and her man, Koop, who dreams of being a great hip-hop d.j., is prone to fits of un-provoked jealousy. The fifth is Moff, whose family is down on his behavior. Starting Friday afternoon, with preparations for clubbing, we follow the five from Ecstacy-induced fun through a booze-laden come-down early Saturday morning followed by the weekend's aftermath. It's breakthrough time for at least three of them. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The Weekend has Landed! See more »

Genres:

Comedy | Music

Motion Picture Rating (MPAA)

Rated R for pervasive drug content and language, and for some strong sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

UK | Ireland

Language:

English

Release Date:

5 May 2000 (USA) See more »

Also Known As:

B oтрыв! See more »

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Box Office

Budget:

GBP2,200,000 (estimated)

Gross USA:

$104,257

Cumulative Worldwide Gross:

$104,257
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Jip's room has movie posters of Clerks, Lost Highway, and The Shining, among others. See more »

Goofs

When the gang are in the pub and Jip realizes he fancies Lulu, he looks over and she lights her cigarette and has a puff. But then it switches to a wider shot and you can see Lulu lights her cigarette again. See more »

Quotes

Lulu: Take me to a world where the drugs are free, the clubs have no gravity and every shag guarantees an orgasm!
See more »

Alternate Versions

A special edition, Human Traffic Remixed, is available on DVD. This is re-cut with new scenes, new CGI effects, and new tracks. See more »

Connections

Featured in Cinemania: Ypalliloi en drasei! (2009) See more »

Soundtracks

Black Shaolin
Written by Carl Cox
Lyrics & Performed by Top Cat
Published by MCA Music Publishing
Performed by Carl Cox
Licensed courtesy of Edel UK Entertainment Ltd.
See more »

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User Reviews

Any film with Bill Hicks AND Howard Marks can't fail..surely?
15 July 2000 | by stephen nizSee all my reviews

At its end, HUMAN TRAFFIC has hit one note quite charmingly for a breezy ninety minutes, not overstaying its welcome, but never in danger of becoming anything more than a curiosity to its audience.

In fact, it begs the question why the opening credits interspersed footage of protests against the draconian Criminal Justice Bill with scenes of revelry. The film cops out at every opportunity to make a serious comment on disillusioned youth, tied to mind-numbing jobs, a drug generation needing an escape. Any film which contains an affectionate tribute to the prophet Bill Hicks (the best, most astute and concerned stand-up comedian that ever lived), and an inspired cameo from Howard Marks surely demands a bit more substance.

But HUMAN TRAFFIC never allows you to linger on its flaws. It adopts an entirely disjointed narrative, liable to go off on tangents at any stage, for any interval. You get the suspicion the filmmakers think there is something especially inventive about the surreal treatment (which extends little further than illusion sequences and direct-to-audience addresses). But it hardly matters whether the visual tricks hit-or-miss, they offer a surprising, and refreshing way of extending a slim idea out to a relatively full 90 minutes.

Justin Herrigan actually develops the characters to the extent you can't help but care about them. Honest in their weaknesses, they are easy to relate to. He should be applauded for extending the appeal of the film beyond an exclusive target audience. It would be inadvisable to compare it with the much stronger TRAINSPOTTING and TWIN TOWN, although all three are refreshingly different. HUMAN TRAFFIC is an affectionate, semi-autobiographical account of modern culture.


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