In the 1960s, a group of friends at an all girls school learn that their school is going to be combined with a nearby all boys school. They concoct a plan to save their school while dealing with everyday problems along the way.
Nicole and Chase used to be BFFs, then junior high happened. The high school centennial dance is coming but Nicole gets dumped. So does Chase. They stage a relationship to get at their exes. They visit each other's worlds. Love in the air?
Melissa Joan Hart,
Jack and Diane were lovers, two crazy kids living in the heartlands. Airheaded Diane captains the cheerleading squad, who follow her through whatever she does. Jack is, of course, the football team's star quarterback. When Diane becomes pregnant, the two are thrown out of their homes and move into an apartment where they try to live on Jack's part-time salary from clerking at a video store. Meanwhile both continue in school - cheerleading and quarterbacking. When Diane realizes that they're not making it financially, she recruits the other cheerleaders to help her rob a bank. Their cheerleader oath of all for one commits them to helping her. A local hood gives them guns in exchange for their promise to put his homely daughter on the cheerleading squad.Written by
John Sacksteder <email@example.com>
Despite Playing Boyfriend/Girlfriend and parents of the same age James Marsden (Jack) is actually 8 months older then his onscreen girlfriend Marley Shelton (Diane) See more »
When Jack is racing for the end zone during the football game, the camera cuts to the clock counting down as if he is "racing" to get to the goal line before the clock hits zero. In a movie that was supposed to have so much to do with football/cheerleading, it's amazing that the writer/director didn't realize that since the play started during regulation, it wouldn't matter if Jack crossed the goal line with 0:00 on the clock; however, the scene is shot as if when the clock hits 0:00 and Jack was short of the end zone, the play would end. See more »
Buried on both sides of the Atlantic by "Bring It On" (the latter didn't duplicate its American box office success in the UK, but at least it got to cinemas), it's to the credit of "Sugar & Spice" that there's a big difference between the two in terms of plot, characters and overall feel - okay, they are both about cheerleaders but are they really cut from the same cloth on that count? As an American journalist wrote about Stephen J. Cannell, the only real similarity between "Baa Baa Black Sheep" and "The Greatest American Hero" is that both shows involve flying.
That said, this movie is still the lesser one. One of the problems are that writer Mandy Nelson and director Francine McDougall don't seem too sure about what kind of tone it should have; it seems to want to be darker but can't summon up the nerve, its characters veer from one-note (particularly Cleo, the Conan O'Brien obsessive) to semi-real (Diane, the cheerleader captain whose unwed mother plight launches the plot), and having the movie be narrated in flashback by a rival rule-obsessed girl suggests we'll be seeing it from her POV, but it's not until some way into the story that she actually plays any kind of a role.
The movie's intentionally uncomfortable to watch, but also never especially funny - and it doesn't help that with the exception of Alexandra Holden as Fern, most of the cast aren't too believable as teenagers (and why do so many of them have first or last names that begin with the letter M? Marla Sokoloff, Marley Shelton, Melissa George [who, incidentally, I thought was playing Diane until the credits set me right], Mena Suvari, Sara Marsh...). It passes the time, and at least it's short - and give the makers credit for not trying to gloss over problems of young couples - but Kirsten Dunst and Eliza Dushku are ultimately the short-skirt-wearers of choice in this milieu.
"Sugar & Spice" could have used more of both parts of its title.
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