It's the year 3000 A.D.; the Earth is lost to the alien race of Psychlos. Humanity is enslaved by these gold-thirsty tyrants, whom are unaware that their 'man-animals' are about to ignite the rebellion of a lifetime.
Unhappy wife has an affair with a stranger. He falls for her and reveals that he's in fact a hitman hired by her cheating husband to kill her. She confronts her husband, but he claims innocence. Who to trust?
Lenny von Dohlen,
In the year 3000, humanity is no match for the Psychlos, a greedy, manipulative race on a quest for ultimate profit. Led by the seductive and powerful Terl, the Psychlos are stripping Earth of its resources, using the broken remnants of humanity as slaves. What is left of the human race has reverted to a primitive state, believing the invaders to be demons and technology to be evil. After humanity has all but given up any hope of freeing themselves from alien oppression, a young man named Tyler decides to leave his desolate home high in the Rocky Mountains to discover the truth, whereupon he is captured and enslaved. It is then that he decides to fight back, leading his fellow man in one final struggle for freedom.Written by
The initial version of the screenplay by J.D. Shapiro was a much looser adaptation of the original novel by author and Scientology founder L. Ron Hubbard. As Shapiro put it, it was "darker, grittier [than what ended up on the screen] and had a very compelling story with rich characters". Both MGM President Mike Marcus and John Travolta (a prominent Scientologist) loved it, and the project was officially greenlit with a $100 million budget and Travolta set to star. However, the studio (pressed by Travolta's people) later wanted a more faithful version than Shapiro had written; according to insiders, 'Battlefield Earth' was the book that Hubbard most wanted to see adapted as a movie, and he had left detailed notes before his death on how that movie should be made. MGM and Travolta's camp insisted on re-writes that would completely change the tone, remove some key scenes and characters, and add more action scenes. Shapiro refused and was soon fired. Corey Mandell was then hired and delivered a screenplay much more along the lines of what the producers were asking for (in Shapiro's words, adding "ridiculous scenes [...,] campy dialogue, aliens in KISS boots, and everyone wearing Bob Marley wigs"). Most of the advertising materials credited Mandell alone for the screenplay, although Shapiro was later awarded joint credit by the WGA. See more »
The AV-8B Harrier is incapable of performing many of the maneuvers shown in the film. See more »
You imbecile! What kind of crap-lousy game are you playing?
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In the nightclub scene with Ms. Terl she promises that Terl will be "as happy as a baby Psychlo on a steady diet of kerbango". In the theatrical release the line she delivered was differently phrased and ended in "as happy as a baby in a crib full of Kerbango." See more »
The new millennium's nominee for Worst Film of the Century
BATTLEFIELD EARTH (2000) 1/2 * John Travolta, Barry Pepper, Forest Whitaker, Kim Coates, Richard Tyson, Sabine Karsenti, Michael MacRae, Michael Byrne, Sean Hewitt, Kelly Preston (unbilled cameo). My candidate for worst film for the new millennium: atrociously awful Travolta vehicle (who is totally to blame for his co-producing this pet project due to his Scientology ties) in bringing L. Ron Hubbard's cult sci-fi novel to fruition is just one God-forsaken mess from start to finish in what feels like the ultimate Ed Wood film with a dire need for the gang from MST3K to show up and provide apt ridicule: Travolta stars as 9 foot tall alien Terl, a Psychlo who commands his rampaging race in wiping out mankind in the year 3000 with only rebel Pepper out to thwart his nefarious plans of mining gold for his own just rewards. Ridiculous from the get go: the make-up of the Psychlos: a combination of dreadlocks a la Jar Jar Binks to the 'Coneheads' to the costume rejects of any speed metal band of the 1990s; the dim lighting and production design; the cheezy special effects (except for the climax of Terl's planet - who the HELL cares if I'm giving away the ending?!! IT SUCKS!!!) - which looked kinda cool!) and laugh-out loud dialogue: ('Rat-brains' is the often reviled retort by Terl to the 'man-animals' he despises). Travolta better get his mind straight because his post-'Pulp Fiction' comeback is running on jet vapors at this point and don't even get me started on his evil Vincent Price-inspired chortle! UGGGHH!!! (Dir: Roger Christian)
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