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Finding Forrester (2000)

PG-13 | | Drama | 12 January 2001 (USA)
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A young writing prodigy finds a mentor in a reclusive author.

Director:

Gus Van Sant

Writer:

Mike Rich
5 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sean Connery ... William Forrester
Rob Brown ... Jamal Wallace
F. Murray Abraham ... Prof. Robert Crawford
Anna Paquin ... Claire Spence
Busta Rhymes ... Terrell Wallace
April Grace ... Ms. Joyce
Michael Pitt ... John Coleridge
Michael Nouri ... Dr. Spence
Richard Easton ... Prof. Matthews
Glenn Fitzgerald ... Massie, Forrester's Delivery Man
Lil' Zane Lil' Zane ... Damon (as Zane Copeland Jr.)
Stephanie Berry Stephanie Berry ... Janice Wallace
Fly Williams III Fly Williams III ... Fly
Damany Mathis ... Kenzo
Damion Lee Damion Lee ... Clay
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Storyline

Because of scoring exceptionally high on a statewide standardized exam, and being an exceptionally good basketball player, Jamal Wallace is sent to a prestigious prep school in Manhattan. He soon befriends the reclusive writer, William Forrester. Written by the chan man

Plot Summary | Add Synopsis

Taglines:

In an ordinary place, he found the one person to make his life extraordinary.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language and some sexual references | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German

Release Date:

12 January 2001 (USA) See more »

Also Known As:

Descubriendo a Forrester See more »

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Box Office

Budget:

$43,000,000 (estimated)

Opening Weekend USA:

$701,207, 25 December 2000

Gross USA:

$51,804,714

Cumulative Worldwide Gross:

$80,049,764
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS | SDDS (8 channels)| SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The movie that Forrester is watching when Jamal first enters the apartment is The Big Heat (1953), starring Glenn Ford. See more »

Goofs

When Jamal is talking with the BMW owner, Jamal makes the statement about the origin of the BMW logo representing spinning propellers. This is actually not true. The BMW emblem is actually derived from the national colors of Bavaria and the roundel was mirroring the original Rapp Motor Works emblem. See more »

Quotes

Jamal: Opens the letter
Forrester: Dear Jamal, Someone I once knew wrote that we walk away from our dreams afraid that we may fail or worse yet, afraid we may succeed. You need to know that while I knew so very early that you would realize your dreams, I never imagined I would once again realize my own. Seasons change young man, and while I may have waited until the winter of my life, to see the things I've seen this past year, there is no doubt I would have waited too long, had it not been for you.
See more »

Crazy Credits

Jamal and friends play basketball through the end credits from the window of Forrester's apartment. See more »

Connections

Features Jeopardy! (1984) See more »

Soundtracks

VERSE FLOW
Written and performed by Jimmy Bobbitt
See more »

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User Reviews

Derivative but enjoyable that is made much better by the two strong performances
2 April 2006 | by bob the mooSee all my reviews

Jamal Wallace is a black highschool student living in the Bronx, New York. He has a talent for basketball, which is popular with his friends and a talent for writing that he tends not to talk up. His test scores bring him to the attention of an exclusive private school with offers of a scholarship, starting immediately. Meanwhile he gives in to his friend's challenges and breaks into the flat of a man known as "the window" because he never leaves his flat but just stares out at the world passing outside. When he is confronted by the man, Wallace flees but forgets his bag, but it is given back later, with all his note book scribbled on and critiqued. He goes back to the flat and tries to get the man to help him further with his writing.

Has it been so many years since Good Will Hunting that Van Sant felt the need to remake it with elements changed? And if so did he feel so insecure about doing it that he delivered with such little originality and blandness so that the audience knows just what they are getting and feels comfortable (if unimpressed)? I guess the answers to both those questions is yes because Finding Forrester is very much a version of Good Will Hunting with the basics kept the same and other bits changed around. Of course this does not mean that it is a bad film because I actually quite enjoyed it; although I knew just where it was going and what it was doing from start to finish. In this way it is a bit annoying that director and writer should be so uninterested in doing anything other than trudging out such obvious material.

The story, although familiar is well enough told though to make it worth seeing. What made it much better for me though were the two genuinely engaging performances in the lead. Given fairly obvious characters to work with, I felt that both Brown and Connery took it, worked it and made it more than the sum of the words in the script. Brown is impressive by how much seems to be going on behind his eyes and I was more impressed when I learnt that this was his acting debut. Connery is equally as good in a role that he could have slummed off his famous voice and natural presence; but instead he works with a vulnerability that is convincing and makes his character and the story so much more interesting. Neither of them can make this a wonderful film but they both do a lot of work to make it an enjoyable and engaging one. Support from Abraham is by-the-numbers but effective (although his final scene is unconvincing); I didn't understand why Paquin bothered (or why they bothered to have her character in the story) while Rhymes is just what you expect and only looks weak at the end when he is asked to emote.

Overall this is a solid and enjoyable film despite the fact that it seems determined to do just what you expect it to do. That said the story is still interesting but what really does the business are the two great performances from Brown and Connery – both as individuals but also together; they take the obvious material and make it somehow much more convincing and engaging. Not a great film by any stretch of the imaginative and too derivative to really stick in the mind but does enough to entertain.


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