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Prokleta je Amerika (1992)

A female reporter gets back from the province without getting job done. On her way back, she meets an abused woman who lives with her husband in a trailer, making grill. The two will run away together, facing many hazards and trials.


Ales Kurt (segment), Marko Marinkovic (segment) | 2 more credits »


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Cast overview, first billed only:
Slobodan Custic Slobodan Custic ... Vuk (segment "Ruzina osveta")
Vladislava Milosavljevic Vladislava Milosavljevic ... Gordana
Enver Petrovci Enver Petrovci ... Pantic
Bogdan Diklic ... Ristivoje / Sinter ... kelner
Davor Dujmovic Davor Dujmovic ... (segment "Ruzina osveta")
Sasa Petrovic Sasa Petrovic ... (segment "Ruzina osveta")
Velimir 'Bata' Zivojinovic ... Kamiondzija Radovan
Dubravko Jovanovic Dubravko Jovanovic ... Kamiondzija Cipke
Branka Pujic Branka Pujic ... (segment "Ruzina osveta")
Milutin 'Mima' Karadzic Milutin 'Mima' Karadzic ... Milence (as Milutin Karadzic)
Tanasije Uzunovic Tanasije Uzunovic ... (segment "Ruzina osveta")
Jovan Janicijevic-Burdus Jovan Janicijevic-Burdus ... Komandir stanice milicije (as Jovan-Burdus Janicijevic)
Vesna Trivalic Vesna Trivalic ... Ruza (segment "Ruzina osveta")
Bozidar Bunjevac Bozidar Bunjevac ... (segment "Ruzina osveta")
Emir Hadzihafizbegovic ... (segment "Ruzina osveta")


A factory worker Pantic comes to Belgrade and befriends a waiter who invites him to the pub where he works. Having failed to find an overnight lodge, Pantic goes to the pub in order to spend the night there. As the night goes, a bunch of local hoodlums sitting nearby gradually provoke and harass Pantic, otherwise a gentle and introvert man. The waiter defends him at first, but starts to pick on him later on, which makes Pantic to get mad and pull out a knife. Written by Mario

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Release Date:

22 February 1992 (Yugoslavia) See more »

Also Known As:

Kroz prasume Juzne Amerike See more »

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User Reviews

Balkan and Serbia from the worst perspective
10 July 2016 | by ereinionSee all my reviews

This movie is another drama that is hard to stomach, even though it opens as a rather light movie about a cheese salesman who comes to the big town, Belgrade. He is befriended by a waiter/bar owner who picks him up and gives him a lift, played by the great Bogdan Diklic. Salesman, played very well by Enver Petrovci, is a rather naive and good-natured man who is divorced and has a daughter. He is therefore a rather lonely guy with not much to lose, something that in the end brings forth a violent and tragic ending. Diklic takes him to the bar which he owns and at first treats him well, introducing him to the local deadbeats who frequent the bar. They include a middle-aged cynical woman and some rather despicable men, including the old timer played by Predrag Lakovic.

Poor cheese salesman is soon made a target of several jokes, including a prank someone plays on him where two hookers act like they are interested in him, but the salesman is embarrassed by it all. He claims he doesn't know them, innocently, while even the bar owner Diklic tells him to "give them one on his tab". Diklic starts to join the harassing of Pantic (Petrovci) and in the end he goes totally berserk, claiming he ordered a lot more than he really did and demands him to pay for it. The gang also eats the entire pot of cheese that Pantic was supposed to sell at the market, leaving him without a way to earn money. In the end, he cannot take it any more and explodes violently.

This is a very dark and cruel film which shows what can happen to an unsuspecting man from the countryside in a big and mean city like Belgrade. The bar is like hell. It is frequented only by low-life losers and perverts, including two aging men who are accompanied by a whore. This movie also shows what peer pressure is and that even people who are not that bad inside can get drawn into bullying an innocent guy. Diklic's character is like a two-faced man. At first he helps Pantic and treats him like a friend and then he completely changes face and starts to treat him badly, like a drunken and unwelcome guest. This is Serbia at its grimmest and meanest. The lesson? Don't accept offers from people you don't know in a big city, unless it is only for a lift. Petrovci's character accepts more than that and in the end has to pay.

The movie is titled after a song which the two men with the prostitute start to sing and as the entire bar joins in, things escalate into a violent finale. It is called "Carrot, you don't grow fine".

This is a review concerning the segment "Sargarepo ti ne rastes lepo".

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