Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
Communist Radicals hijack Air Force One with The U.S. President and his family on board. The Vice President negotiates from Washington D.C., while the President, a Veteran, fights to rescue the hostages on board.
In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail. Magnificent foreshadowing and anticipation fill this true-life drama while minute details of the fishing boats, their gear and the weather are juxtaposed with the sea adventure.Written by
Erwin van Moll <email@example.com>
Although not listed in the official Writer's Guild of America information, Bo Goldman received an on-screen credit for having co-written the script. See more »
While the ship sails East towards the Flemish Caps, the sun rises behind the ship, from the west. See more »
[in the bridge of the Andrea Gail]
So, what are you so happy about?
Captain Billy Tyne:
You just caught me on a good night. I'm doing what I was made to do - and I've got a feeling I'm going to do it even better this time.
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I can't think of a "disaster movie" that I liked, so I may be the worst judge. Sebastian Junger's book was engrossing to me for the many things that cannot be expected to translate to the screen: detailed meteorology, a description of the physiology of drowning, the details unearthed in his investigation, and the rough portrait of the people involved that emerges. In the movie, we travel toward a known destination, so the question is, "why make the trip?" The director appears to think that it is to bear witness to the heroism of superhuman George Clooney (not Billy Tyne) as he improbably hangs onto an outrigger during a hurricane with an inextinguishable torch to cut loose a chain threatening to flail them to death. He does! Hurrah! Other crewmen are saved from drowning, too, but they are all doomed, so concentrating on this drama felt unsatisfying. To be fair to the real people involved, this sort of Hollywood action should have been jettisoned, and we should have been treated to a more documentary treatment of the story to do the book justice, as well. The closest we get to that is the painstaking recreation of reality through the setting, costumes, etc. Why wasn't this the movie I wanted made? Because an actual rotting swordfish would attract a bigger audience than a documentary about Gloucester fishermen. Audiences want to see George Clooney and some special effects while they munch their popcorn. This is also why the musical score is an intrusive element that lacks any subtlety, whatsoever. Moviemakers are not so unlike fishermen in this regard, and they cast their nets where the shoals of patrons are, and must use flashy tackle to attract them. If you are a little more discerning in your choices of entertainment, you probably would prefer the book.
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