6.1/10
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Nurse Betty (2000)

Trailer
1:34 | Trailer
Comedy about a widow's post-traumatic obsession with a soap star.

Director:

Neil LaBute

Writers:

John C. Richards (story), John C. Richards (screenplay) | 1 more credit »
Won 1 Golden Globe. Another 4 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Morgan Freeman ... Charlie
Renée Zellweger ... Betty
Chris Rock ... Wesley
Greg Kinnear ... George McCord (Dr. David Ravell)
Aaron Eckhart ... Del
Tia Texada ... Rosa
Crispin Glover ... Roy Ostery
Pruitt Taylor Vince ... Ballard
Allison Janney ... Lyla
Kathleen Wilhoite ... Sue Ann
Elizabeth Mitchell ... Chloe
Susan Barnes Susan Barnes ... Darlene
Harriet Sansom Harris ... Ellen
Sung Hi Lee ... Jasmine
Laird Macintosh ... Dr. Lonnie Walsh
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Storyline

A Kansas City waitress with dreams of becoming a nurse becomes delusional after seeing her no-good car salesman husband murdered. Becoming delusional from shock, she becomes convinced that she is the former fiancée of her soap opera idol. What she also believes is that the soap opera is real and goes to LA to find the hospital where he works as a cardiologist. Meanwhile, her husband's murderers are searching for the drugs stolen by her husband and, as luck would have it, they are stored in the trunk of the car she drove off in. Freeman, an aging hit man planning his retirement after this job, also becomes delusional about the woman he is tracking. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Plot Synopsis

Taglines:

She's chasing a dream... they're chasing her. See more »

Genres:

Comedy | Crime | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong violence, pervasive language and a scene of sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany | USA

Language:

English | Spanish

Release Date:

8 September 2000 (USA) See more »

Also Known As:

Betty See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$7,145,950, 10 September 2000

Gross USA:

$25,170,054

Cumulative Worldwide Gross:

$29,364,989
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS | Dolby

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Scenes involving Christopher McDonald as a racist truck driver, who sells porno to Chris Rock and Morgan Freeman, were cut from the final film. See more »

Goofs

When Betty gets to her friend's house after being questioned at the police station, the blankets covering her in bed change drastically. See more »

Quotes

[about to perform a medical procedure on a gunshot victim]
Betty: No, I have to do this or he'll die. It's OK, I've seen it done once.
See more »

Crazy Credits

When the end credits are done, the film's title appears See more »

Connections

Referenced in The Sopranos: Mr. & Mrs. John Sacrimoni Request (2006) See more »

Soundtracks

Whatever Will Be, Will Be (Que Séra, Séra)
Written by Jay Livingston and Ray Evans
Performed by Emilio Pericoli
Courtesy of Orfeon Records
See more »

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User Reviews

 
Cute, edgy and very funny
10 August 2001 | by DeeNine-2See all my reviews

This is an adorable, if somewhat edgy, comedy from a clever and witty script by John C. Richards, crisply directed by the very talented Neil LaBute, proving that he can handle comedy just as adroitly as he can the art house movie.

Renée Zellweger stars as Betty Sizemore, a sort of Doris Day of the 21st century, a waitress from Kansas whose fantasy life centers around Dr. David Ravell (Greg Kinnear), star of a TV soap opera called, "A Reason to Live," to such a fanatical degree that she has memorized lines from the show after watching the tapes over and over again. (This will come in handy later on.)

Morgan Freeman and Chris Rock play a father-son team of cocaine-dealing hit men who ignite the premise of the movie by murdering Betty's slimy used car salesman husband, played by Aaron Eckhart, who starred in In the Company of Men (1997), also directed by Neil LaBute. Chris Rock is a comedic psychopath, and Freeman a fatherly murderer whose favorite dictum is "three in the head, you know they're dead." One of the amazing and characteristic things about Morgan Freeman is that even while playing a professional criminal, he manages to sound like the wisest, gentlest man you ever knew.

True, the plot relies heavily on co-incidence (Betty copping the keys to the Buick that just happens to have the goods in the trunk), precise timing (meeting Dr. David and entourage at exactly the right moment), and some questionable psychology (Betty's partial and convenient amnesia). But such contrivances should be written off as poetic license and ignored. After all, who would criticize Shakespeare for the tortured plots of his comedies? More significantly, what makes this work is the cleverness of the plot melded well with the personalities of the characters (while gently satirizing them), and some very funny dialogue. My favorite line is when Freeman, looking gravely at a picture of the disappeared little miss Nurse Betty, soberly remarks to Rock, "We may be dealing with a cunning, ruthless woman here." I wonder, could it be that some of the pseudonymous (and humorless) reviewers who trashed this movie here and at IMDb are jealous, out-of-work screen writers?

An observation and a question: Renée Zellweger has the kind of on-screen presence to delight the most jagged heart. And who really is the reigning queen of contemporary filmland comedy, Zellweger or Reese Witherspoon? They are both brilliant. Witherspoon is a little more over the top while Zellweger is more impish. It would be interesting to see them trade roles, say, Zellweger as goody-goody A-student Tracy Flick in Election (1999) and Witherspoon as Nurse Betty. Too bad something like that can't be done.

Incidentally, the song, "Ca Sera, Sera" heard in the background won an academy award for best song in the Hitchcock thriller, The Man Who Knew Too Much (1956), starring James Stewart and Doris Day. The reason it reappears here is not entirely clear, but the resemblance of the wonderfully naive Nurse Betty to the on- and off-screen Doris Day (who also had a hit recording of "Ca Sera, Sera,") goes beyond the strawberry blond hair to a kind of irrepressible innocence. In Nurse Betty, however, the Doris Day world of white picket fences and monogamy is given a contemporary spin. Although this is to some extent a romantic comedy, it is one in which the answer to the question, Who gets the girl? is one never seen in a Doris Day flick.

Bottom line: if you can watch this without laughing old loud and crying some real tears, you need to get your hard drive fixed.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)


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