Irked by the grandiose boasts of the warden of Grangemoor prison, Prof. Van Dusen wagers he can escape from the vaunted high-security facility in less than a week. Daring him to "think his way out," ...
Detective Inspector Rabbit, a dedicated, tough, thick and oft inebriated Victorian copper, sleuths his way across London with his two young partners, a doofy rookie, and a brilliant black policewoman no one ever believes.
Follows the novels of Anthony Trollope. Beginning with the forced marriage of Glencora (Susan Hampshire), the lives of the friends and children of this couple are the subject of study. The ... See full summary »
This British television series, shot almost entirely on videotape, dramatized short mystery fiction by authors who were contemporaries of Sir Arthur Conan Doyle. Many of these authors were virtually unknown to modern audiences, although all of the detectives portrayed had appeared in popular on-going series of short stories or novels. "Rivals" featured the only dramatizations to date of such period characters as Jacques Futrelle's "The Thinking Machine" and W. H. Hodgson's "Carnacki The Ghost Finder". Production values were high, although the limitations of early 1970's video technology are painfully obvious. The casts included the cream of British television's character actors, featuring a few faces that will be recognizable to American audiences.Written by
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This series was largely adapted from a collection of then obscure, but genuine Victorian short stories collated and edited by Hugh Greene, who is also credited as the series creator. He was a retired Director General of the BBC and the brother of Graham Greene. See more »
I discovered this series on '70s American public television by accident while channel-surfing (or whatever we called it back in the days when you twisted a knob and then had to fine-tune the receiver). I felt like it was almost my personal secret then, something like Jean Shepherd's Ralphie feels before he decodes Annie's message. Except, this doesn't turn out to be a disappointment. The stories were intelligent, accessible, and timeless. This is TV doing what it should, before everything was about teen angst. (You know, I was a teen once and I don't remember having any angst. Maybe that was partly because my TV entertained me without suggesting I had to be glum to be cool. Maybe not.)
I've never seen it since and I've often wondered why not. It seems like the kind of thing that modern mystery fans would love to have, even if that meant buying it on DVD.
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