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The Sixth Sense (1999)

PG-13 | | Drama, Mystery, Thriller | 6 August 1999 (USA)
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A boy who communicates with spirits seeks the help of a disheartened child psychologist.

Director:

M. Night Shyamalan
Popularity
549 ( 61)
Top Rated Movies #161 | Nominated for 6 Oscars. Another 32 wins & 48 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bruce Willis ... Malcolm Crowe
Haley Joel Osment ... Cole Sear
Toni Collette ... Lynn Sear
Olivia Williams ... Anna Crowe
Trevor Morgan ... Tommy Tammisimo
Donnie Wahlberg ... Vincent Gray
Peter Anthony Tambakis ... Darren (as Peter Tambakis)
Jeffrey Zubernis ... Bobby
Bruce Norris Bruce Norris ... Stanley Cunningham
Glenn Fitzgerald ... Sean
Greg Wood ... Mr. Collins
Mischa Barton ... Kyra Collins
Angelica Page ... Mrs. Collins (as Angelica Torn)
Lisa Summerour Lisa Summerour ... Bridesmaid
Firdous Bamji ... Young Man Buying Ring
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Storyline

Malcom Crowe (Bruce Willis) is a child psychologist who receives an award on the same night that he is visited by a very unhappy ex-patient. After this encounter, Crowe takes on the task of curing a young boy with the same ills as the ex-patient (Donnie Wahlberg) . This boy "sees dead people". Crowe spends a lot of time with the boy much to the dismay of his wife (Olivia Williams). Cole's mom (Toni Collette) is at her wit's end with what to do about her son's increasing problems. Crowe is the boy's only hope. Written by Jeff Mellinger <jmell@uclink4.berkeley.edu>

Plot Summary | Plot Synopsis

Taglines:

Can You Keep the Secret? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense thematic material and violent images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Latin | Spanish

Release Date:

6 August 1999 (USA) See more »

Also Known As:

The Sixth Sense See more »

Filming Locations:

Pennsylvania, USA See more »

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$26,681,262, 8 August 1999

Gross USA:

$293,506,292

Cumulative Worldwide Gross:

$672,806,292
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The movie's line, "I see dead people," was voted as the #44 movie quote by the American Film Institute (out of 100). See more »

Goofs

When Malcolm looks at the box for Vincent Grey, the last name is spelled with an 'e', while in the ending credits, Vincent's last name is spelled with an 'a'. See more »

Quotes

[first lines]
Anna Crowe: It's getting cold.
Malcolm Crowe: That is one fine frame; one fine frame that is. How much...
[he sits down with a grunt]
See more »

Crazy Credits

The Spanish phrase "I don't want to die" that was played on the tape recorder in Malcolm's office is repeated after the credits. See more »

Alternate Versions

DVD version features four cut scenes;
  • Cole visits an old man that lost his wife a long time ago and is lonely. Cole finds some diaries that belonged to his wife and the old man is happy.
  • After Malcom hears the voice on the tape recorder he goes back to the old man's house to see if he is doing better, which he is.
  • Cole playing with his figurines: two are underneath a red cloth, Malcom asks Cole why and Cole gives him the men's name, rank, why they were there, and information about their wives.
  • Extendend ending: after Malcom is gone, the camera pans from Anna to the television featuring Malcom on video expressing his love for her.
See more »

Connections

Referenced in Aída: Los trilocos (2005) See more »

Soundtracks

Unknown Rider
Written by Travis Bracht and Dudley Taft
Performed by Second Coming
Courtesy of Capitol Records
Under license from EMI-Capitol Music Special Markets
See more »

Frequently Asked Questions

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User Reviews

Death, Lfe, Fear and Hope
14 February 2000 | by kevalSee all my reviews

Review: The Sixth Sense, Director: M. Night Shyamalam

As a film which has undoubtedly caught the eye of the film going world, it was difficult to avoid the surrounding hype and publicity. Luckily most of the people I had spoken to who had seen the film did not spoil the 'twist' at the end, which, although is rather a laboured point by now in reviews, certainly adds to the "Oh, I see now" factor.

The story revolves around a child psychologist played characteristically by Bruce Willis. I say characteristically, because although his portrayal is quite real, and at times touching, there always seems to be an unnerving 'Die Hard'-ness to his speech, lending the dialogue some comical qualities. Having said that, his overall attempts at revealing the vulnerable and disturbed psyche of his character achieve good results. As the psychologist, he is plagued by a particular event in his professional life which he perceives as his personal failure, and sets out to redeem himself by righting the wrong and wiping his failure from his conscience. This opportunity presents itself to him in the form of Cole Sear, played devastatingly well by Hayley Joel Osment. Cole has a problem, he sees dead people. To the outside world he is seen as a loner, a problem child, and has become increasingly isolated. Hence the need for a child psychologist. Once we have been introduced to these two central players, we are taken on a journey of discovery, as both of these characters in the space of the film will learn a great deal about each other, themselves and human nature.

It is this particular point which the film attempts to address so strongly - human communication. That when this breaks down, an inevitable cycle of interpersonal destruction takes course, sometimes irreversible. This is framed within the context of a superbly told ghost story. The sheer truthfulness and honesty with which the concept of fear is expressed by all the characters, is breathtaking. Cole's' experience of the walking dead, appearing out of nowhere, Malcolm's fear of a deteriorating marriage, and Cole's' mother's fear relating to her own existential angst. All of these are played against the backdrop of the often difficult but finally warm relationship between Cole and Malcolm. Eventually, and against the odds, each character displays courage and bravery as they face up to their existential and supernatural fears.

There are one or two niggling problems plot wise, but in a film where the overall atmosphere created is one which encompasses death, fear, and finally hope, it is impossible not to overlook incongruencies. Superb direction, acting and ambience lead me to think that M. Night Shyamalan has really succeeded in telling a chillingly touching story about the triumph of the human spirit.

February 14, 2000 Harshad C. Keval


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