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Zatoichi Goes to the Fire Festival (1970)

Zatôichi abare-himatsuri (original title)
Not Rated | | Drama, Adventure, Action | 12 August 1970 (Japan)
Zatoichi meets an infamous blind leader of a gangster organization as he contends with a gloomy ronin widower.

Director:

Kenji Misumi

Writers:

Shintarô Katsu, Kan Shimozawa (story)
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Cast

Cast overview, first billed only:
Shintarô Katsu ... Zatoichi
Reiko Ôhara Reiko Ôhara ... Kiyo
Pîtâ ... Umeji
Kazuko Yoshiyuki Kazuko Yoshiyuki ... Wife
Kô Nishimura Kô Nishimura ... Migi
Ryûnosuke Kaneda ... Boss Kuroko
Kunie Tanaka ... Packhorse Driver
Osami Nabe Osami Nabe ... Mistress Auctioneer
Jun Nagasawa Jun Nagasawa ... Egg Slinging Kuroko Yakuza
Utae Shôji Utae Shôji ... Teahouse Owning Wife
Reiji Shoji Reiji Shoji ... Teahouse Owning Husband
Yôsuke Kondô Yôsuke Kondô ... Boss Men
Kenzo Tatake Kenzo Tatake ... Wealthy Mistress Auction Buyer
Yoshio Yoshida ... Mistress of Auction Yakuza Boss
Eizô Kitamura Eizô Kitamura
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Storyline

Cowritten by star Shintaro Katsu, this adventure pits Zatoichi against one of his most diabolical foes: a blind yakuza boss whose reign of terror and exploitation has made him nearly mythic. Guest starring the legendary Tatsuya Nakadai as a ronin haunted by a traumatic past, and featuring an unforgettable nude swordfight in a bathhouse, this twenty-first entry in the series is a fan favorite. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A legendary figure in Japan is Zatoichi - the blind masseur with healing hands and a swift sword.


Certificate:

Not Rated | See all certifications »
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Details

Country:

Japan

Language:

Japanese

Release Date:

12 August 1970 (Japan) See more »

Also Known As:

Zatoichi Goes to the Fire Festival See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Forty years later, Tatsuya Nakadai would again appear in a, Zatoichi movie titled Zatoichi: The Last (2010), starring Shingo Katori as the titular character. See more »

Connections

Follows The Tale of Zatoichi (1962) See more »

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User Reviews

 
Over the top in the wild seventies
22 March 2018 | by klusebaSee all my reviews

Zatoichi Goes to the Fire Festival is the twenty-first entry in the Japanese franchise about the blind masseur, skilled swordsman and lowly yakuza. This is also by far the most experimental movie in the series so far and comes as an unexpected positive surprise. The vivid story line features several subplots. Let's just focus on the most essential elements. Zatoichi assists a mistress auction where he gives massages to bosses who want to sell or purchase women. Zatoichi seems to be overwhelmed by emotions when the most beautiful woman is sold for a hefty fee and decides to rescue her. However, the woman doesn't react to Zatoichi's gentle behavior and the disappointed swordsman lets her go when he realizes she wants to rob him out and run away. Things turn sour when the woman's husband suspects his wife to have slept with Zatoichi and decides to slay her and follow and ultimately confront her savior throughout the movie. Zatoichi however attends the reunion of some of the bosses who were present at the auction and decides to provoke the arrogant criminals as he despises their self-important swagger. However, he comes across a quite unusual boss named Yamikubo who is blind like Zatoichi but respected by his underlings. The two blind men challenge each other philosophically, intellectually and finally physically. In order to get rid of the troublesome Zatoichi, Yamikubo assigns his assigned successor's daughter to kill the emotional swordsman. In addition to this, an androgynous pimp also wants to kill Zatoichi to become a yakuza. Zatoichi needs to deal with a clever boss, an ambitious drag queen, a seductive protegee and a clever boss in this dynamic film.

Zatoichi Goes to the Fire Festival is my favorite film in the franchise so far for a multitude of reasons. First of all, the story is more adventurous than usual as it deals with unusual topics such as homosexuality and human trafficking. Secondly, the story is quite vivid and comes around with numerous memorable scenes. The bloody fight in the bath might be the most memorable fight scene in any film of the franchise and the final duel sees Zatoichi isolated on an artificial island surrounded by a ring of fire. Thirdly, the film takes some inspiration from Western cinema. The clever boss who challenges a dynamic Zatoichi reminds of Blofeld challenging James Bond in many aspects. The movie includes much more nudity than usually, including many naked yakuza as well as women whose phsyical features are presented in detail at an auction. Even the soundtrack has a vibe inspired by jazz and rock music at certain points but also still features Japanese folkloristic music. Fourthly, the characters in this film are all intriguing. This starts with unimportant side characters such as the bickering and slightly perverted couple who owns a teahouse. It goes on with supporting characters like the silent lady who is saved by Zatoichi or the homosexual pimp who wants to be seen as a real man. It culminates with two very interesting antagonists, the first being the jealous and nihilistic widow and the other one being the clever blind yakuza boss who is as cold as ice. Fifthly, the movie finds a perfectly balanced mixture between comic relief, tense fight sequences, a solid dose of suspense, a shot of tragic romance and some cultural elements thrown in to spice things up.

Obviously, this film is over the top which impresses me but which might irritate those who prefer more traditional chambara films. Homosexuality and nudity are everything but typical components for this type of movie. Some psychedelic flashbacks and experimental cuts also show that this movie was shot in the wild seventies and not in the more traditional sixties. Depending on your taste, this film could be the best but also the worst of the series.

To keep it short, watch this movie if you are craving for a more experimental take on traditional chambara movies after twenty rather streamlined entries in the franchise. Zatoichi Goes to the Fire Festival definitely stands out and is my favorite movie in the franchise up to that point. It deserves more acclaim and attention than it gets and could easily please to a wide audience. It's not the best film to start discovering the franchise because it's so experimental but it's a dynamic fun ride from start to finish you won't forget anytime soon.


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