An expatriated French novelist (Jeanne Moreau) returns to Paris when she learns that her childhood home is being placed on the auction block. What she doesn't count on is that she has to ... See full summary »
Anne is investigating the life of her grand-aunt Olivia, whose destiny has always been shrouded with scandal. The search leads back to the early 1920s, when Olivia, recently married to ... See full summary »
An editor asks Deven, a teacher who loves Urdu poetry, to interview poet Nur Shahjehanabadi, an aging whale of a man. Deven goes to Bhopal from Mirpur to meet Nur, of whom he is in awe. He ... See full summary »
Marya Zelli finds herself penniless after her art dealer husband, Stephan, is convicted of theft. Marya accepts the hospitality of a strange couple, H.J. and Lois Heidler, who lets her live in their house.
A tangled triangle. In the rural South of the early 20th century, Miss Amelia is the town eccentric, selling corn liquor and dispensing medicine. She takes in her half-sister's son, a ... See full summary »
Police Inspector Ghote lives a middle-class life in Bombay along with his wife, Pratima. He has been employed with the Bombay Police for many years. His wife is generally disgruntled and ... See full summary »
1954, the Malabar Coast. British and Anglo-Indian identities blur when an English-woman with a neglectful husband births a sickly baby. Cotton Mary, a hospital aide and moralizing Anglophile who claims her father was a British officer, takes over the infant's care and, without a word to the mother, takes the baby daily to her sister to nurse. Mary moves into the English household, taking over more and more duties as she plays on the mother's fatigue and lack of spousal counsel: in effect, Mary colonizes the English household while she pilfers its stores and tells tall tales to her own family. For how long can Mary sustain her rule before the Englishwoman stands on her own feet?Written by
As Theresa is walking along with the procession she passes an Indian boy in the crowd who waves at the camera. See more »
In the theatrical version, the scene when Rosie (Sakina Jaffrey) and John (James Wilby) have sex and are caught by Mary (Madhur Jaffrey) at 1:43, Rosie is nude. In a version shown on the Sundance Channel, Rosie is wearing a slip during the entire scene. See more »
Written by Harry Warren and Jack Brooks
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Four Jays Music Publishing Co.
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Disappointing really, but beautiful à la Merchant/Ivory
Ah the Malabar coast and India in the early 1950's. It seems it was a pretty boring place. And stereotypes abound both on the "English" and "Indian" sides. Ismail Merchant has created a visually beautiful film with an adequate cast....but where was the character development. The lead actress gets more and more annoying as she slips into the land of make-believe.
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