A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
An ex-marine returns to Vietnam when he learns his former mercenary partner whom he thought was killed is being held by a sadistic general. Contains extreme violence, including torture, and... See full summary »
Thomas Ian Griffith,
Communist Radicals hijack Air Force One with The U.S. President and his family on board. The Vice President negotiates from Washington D.C., while the President, a Veteran, fights to rescue the hostages on board.
Fighter navigator Chris Burnett wants out: he was looking for something more than the boring recon missions he's been flying. He finds himself flying the lone Christmas day mission over war-torn Bosnia. But when he talks pilot Stackhouse into flying slightly off-course to check out an interesting target, the two get shot down. Burnett is soon alone, trying to outrun a pursuing army, while commanding officer Reigert finds his rescue operation hamstrung by politics, forcing Burnett to run far out of his way.Written by
Jon Reeves <email@example.com>
Owen Wilson rode in a jet at supersonic speeds to prepare for the role. He pulled around 6 Gs. See more »
An ejection seat disappears near bottom left corner of the screen after the pilots pull their chutes - the seat falls, then disappears before leaving the frame. See more »
[Stackhouse is being interrogated after he is captured by Serb troops]
Are you alone?
[the Serb troops, along with Lokar, leave and Stackhouse is watched by Sasha. Burnett observes from a nearby hill and sees Sasha execute Stackhouse]
[Sasha looks at the hill where Burnett is. Knowing that he gave away his position, Burnett starts to run]
[Whistles to the nearby Serb troops and shouts in Serbian and begins shooting]
There's another one!
Fire on the hills!
[...] See more »
The UK theatrical version had one dialogue substitution (removal of a single use of the word "fuck") to secure the "12" rating. For the DVD/video release, this substitution was waived by the BBFC. See more »
Let's see. Take one standard action film involving Americans, add in a new baddie for them to triumph over, and have the baddies act atrociously and brutally, then let the good guys be victorious in the end.
That about sums up BEL. It has reasonable special effects, a plot that is simple and oh so seen before, and a square jawed handsome hero (although, looking at Wilson's nose, not that handsome).
People have already remarked on various inaccuracies and symbolism such as the angel in the midst of war etc. Instead of going over those I'd like to point out the overriding message this film taught me.
That it's OK to disobey orders. Disobey them in such a way as to get your best friend killed. But that's OK, because no matter what happens when you disobey orders, it all comes out good in the end. You feel better about yourself and you'll bring the bad guys to book. So don't worry about your best friend. He was only a plot device anyway.
One thing is certain, though. As long as there is conflict in the world, there will be a Hollywood movie to glorify it and vilify the enemy.
And just who were the enemy? The Bosnians? The Serbs? The Croats? The film didn't seem very certain itself and neither was I, even at the end.
Particularly laughable (and somewhat disturbing) in this no brainer action film was the dreadful end sequence, where we get to find out (via the wonder of the subtitled explanation) what happens to the main characters.
Now, call me old-fashioned, but such final scene "what they did next" stuff in my book is reserved for two types of film - comedy spoofs and documentaries. This film is certainly no comedy, so the appearance of these notes, to me, would seem to imply that the movie was in part based in reality. I find this disturbing simply because there are any number of extremely dumb people out there that would see such final comments and assume the film was, after all, based on true events. And it's this kind of "it happened like this" cinema (which most often involves Americans saving the world) that concerns me most. U571 is another, now notorious, example of this. Apparently its true that history is written by the victors......
As for the movie, the opening scenes are the most rewarding. Once the movie passes into its middle it becomes a bit dull and the ending, as others have observed, is more like a Rambo film and gets quite farcical.
The movie is best watched whilst a few drinks shy of inebriation. You'll enjoy it more and not notice the foolishness (hopefully).
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