A New Yorker on business in Nagoya meets a lady in the hotel bar. Returning to her room, 3 ninjas kill her and wound him. He sees the ninja boss' face. Ninjas try to kill him again but new samurai friends help, hide and train him.
Four hundred million dollars are hidden in a boat in some harbor in South America, hidden by Dani Servigo's brother. When his brother gets killed, Dani is a wanted man, by undercover D.E.A.... See full summary »
Mario Van Peebles,
In a future, private underground prison/Fortress, the inmates are computer controlled with CCTV, dream readers and devices that can cause pain or death. John and his illegally pregnant wife are inside but want to escape before birth.
The Russian government has collapsed. Amidst the chaos, riots, and struggle for power, a terrible weapon has leaked out. Virulent microflage, a deadly germ of the cold war has begun to ... See full summary »
Jimi, a successful computer game designer, finds that his latest product has been infected by a virus which has given consciousness to the main character of the game, Solo. Tormented by the... See full summary »
Detective Prudhomme, and his partner are assigned to investigate the murder of a man who's arm was severed. After 2 more victims with missing body parts turn up, the detectives realise they're after a serial killer. Even worse; he's using the body parts to reconstruct the body of Christ..Written by
Adam Thomas <email@example.com>
Given the opportunity of clambering to the top of the directorial heap on the back of the magnificent Highlander, Mr. Mulcahy instead managed to shoot down his own chances by unwisely having any association at all with the not-quite-so-well-received sequel. Nevertheless, Resurrection, while not exactly a triple-A title, shows that the old dog's still got a few tricks up his sleeve - even if they are being deployed on straight-to-TV efforts these days.
With old chum Chris Lambert (a man equally cursed in his career choices, and looking very old all of a sudden) on board, the scene is set for another shameless reworking of Seven - which might be an obvious comment to make, but that doesn't make it any less true. While the deadly sins are replaced with the names of apostles, the relentless rain, gloom and gritty gore are still there in force, and the plot's just as threadbare.
But! That still doesn't make it a bad film, as such. It's decently performed and nicely shot, with a few nifty camera tricks thrown in to break up the free-roaming NYPD Blue feel of the general proceedings, and there are one or two genuinely effective twists encountered along the way (with some glaringly obvious ones to balance them out, unfortunately).
So it's worth catching, as long as you're not expecting mould-breaking brilliance. One of Lambert's better films, certainly, and an example of the sort of high production values he should be aiming for. So sit back and enjoy... all in all, it's better than you might expect.
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