With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
Sgt. Bilko is a well-liked conman in charge of the army base's motor pool, developing a hover tank and unofficially of gambling etc. One man hates Bilko and he's coming to inspect the base for possible closure.
A spoof of buddy cop movies where two very different cops are forced to team up on a new reality based television cop show, while tracking down the manufacturer and distributor of an illegally made semi-automatic firearm.
Forty-nine year old Bobby Bowfinger is the owner/president of a Hollywood-based production company, Bowfinger International Pictures. The company has yet to produce a film, Bobby's personal net worth is virtually zero, and the company only has $2,184 to its name, $1 invested into it personally by Bobby every week since he first decided he wanted to make a movie when he was a child. Bobby believes his fortunes will change when his accountant Afrim changes hats and writes a science-fiction alien invasion screenplay that Bobby thinks all studios will clamor for and has Oscar written all over it. He has a small stable of followers who support his vision in being part of this movie, which eventually includes Daisy as the lead actress, she a stereotypical small town girl looking to make it big in Hollywood. Having just arrived in town, she does not know her way around the Hollywood system,... except on her proverbial back. Bobby is not averse to telling bald-faced lies in his singular focus...Written by
In one scene, Bowfinger comments as how he's forty-nine, and could, possibly, pass for thirty-eight. This is clearly a poke at how often, in Hollywood, people deflate their ages, which is also explained when he gets down his box that he's put a dollar in every week since age ten. The sum given is 2,184 dollars, which would actually put Bowfinger's age at fifty-two. See more »
When Bowfinger is in the bedroom with Daisy, counting his money, the picture behind the bed changes angle between shots (the first part of the scene was re-shot months after principal photography had finished, to include a shot of the table set for two). See more »
After the last credits roll, Kit's line, "I saved the world! I saved it," can be heard. See more »
DVD "deleted scenes" section contains a much longer version of the "this script, this masterpiece" scene which in a Martin monologue explains why an accountant would write a sci-fi script. His first script, about the exciting world of accounting, was rejected in favor of something that at least has aliens in it. The title is "Star Wars," but that will have to be changed. Another scene features the most avant-garde dry-cleaning place you'll ever see, explaining better the "Kit's dry cleaning" material later on. See more »
"Bowfinger" is one of the funniest movies I have seen in years. It works because it allows the laughs to build from the way the characters play off each other's personalities, without becoming puppets of the script. It is for people who love the movies as well, because that's what it's really about; how the movie industry works on such unlikely coincidences, and how the truly desperate are sometimes successful against their own natures.
The movie is basically about a group of folks who want desperately to make a movie, to break into the big time. They are led by Bobby Bowfinger, of "Bowfinger International Productions", a hack film "studio" in a ramshackle office in an L.A. suburb. Bowfinger is the right man to head this team; he's unscrupulous, infinitely resourceful, and isn't daunted by the fact that his budget will come from the dollars he saved up each week since he was a kid, stashed in a box in his attic. He collects his film crew from illegal immigrants trying to cross the border.
His accountant has just written a script about aliens hiding in raindrops. Don't ask, just watch the movie. The movie is called "Chubby Rain". Bowfinger wants Hollywood's leading action star, Kit Ramsey, to play the lead. As Ramsey, Eddie Murphy turns out one of his best performances. Ramsey is wildly egotistical and emotionally unstable to a fault. He is a member of "Mind Head", one of those many Scientologist-like groups, where he goes often to discuss his many insecurities and paranoid fears, like that of, of course, aliens.
Naturally, Ramsey refuses to be in the picture. That doesn't stop Bowfinger. He comes up with a clever, if risky, idea: follow Ramsey around, shoot him surreptitiously from a distance, using his own actors to play their parts with him, without Ramsey's knowledge. This leads to many very funny scenes in which Ramsey comes to believe his paranoid fantasies about aliens are in fact real, while the actors in the movie praise Ramsey's "style".
Eventually, a stunt double is needed for certain scenes, and a Ramsey look alike, named Jiff, is brought on board. Jiff is an entirely unique character, played also by Murphy as a slow-witted innocent with a sheepish grin and a nasal voice. He is lovable and yet annoying at the same time, to Murphy's credit, and a great movie character.
I liked a lot of things about the movie, especially the eye it has for the way Hollywood works. I really enjoyed a scene early on where Bowfinger stages a phony call with a car phone in a restaurant to create an opportunity to pitch his script to a high-powered executive played by Robert Downey, Jr. Downey is surprised to see the cord dangling from Martin's phone; he may not take him seriously, but he's not likely to forget meeting him.
I also liked the way Ramsey complains to his agent about not having a catch phrase the way white action stars have. His agent points out a scene where he pushes a guy named Cliff off a cliff. "That's too cerebral for an audience," shouts Ramsey. "We're making a movie, not a film!" He points out that in the script he is reading, the letter "k" appears a number of times that is exactly divisible by three, so "KKK" appears "486 times!"
What is best about the movie is the way Bowfinger goes for broke, improvising all the way. He proceeds with a determination fueled by the insane notion that this scheme could actually work. You have to respect the chutzpah of someone who wants to succeed that badly, even if he bends a few rules along the way.
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