Des and Terri Tunkley are a happily married, but struggling couple about to take the big plunge and buy into the Great Australian Dream. Falling under the spell of a television advertisement extolling the joys of home ownership, Terri cajoles Des into making their first big financial commitment. At first, Des is none too enthusiastic about leaving their carefree, downwardly mobile lifestyle in a caravan park by the sea, and neither is their young son, Jack (Jack Ellis). The good life is for Des is embodied in his beloved, as-yet-as-to-be-restored motorboat. Here then lies a basis for conflict between Terri's desire for the domestic comforts of a 'real' home, and Des' dream of sailing away to the West Indies. Undeterred by her husband's initial reluctance, Terri calls on Austral Finance for a housing loan. Now more determined than ever to realise her dream, Terri becomes frustrated by Des' lack of interest. When things finally come to a head between them one rainy afternoon. Des ...Written by
Paul Gerard Kennedy
1980s social commentary packaged in a very funny film.
What "The Castle" was to Melbourne in the 90s, "Emoh Ruo" is to Sydney in the 80s.
A "typical" not so wealthy young couple with child live in a caravan in a wealthy Sydney suburb. After an unfortunate incident, and after being seduced by an immensely funny parody of a TV Home Loan commercial, they decide to build a "dream home" of their own. Being completely innocent of such matters, they therefore become victims of builders, real estate salesmen, the bank, of tradition, of society, and even of their own families. They don't cope at all well to start (he loses his job and she becomes quite neurotic); although all crises are happily resolved in the end, even if in a somewhat unexpected way.
Unlike some other very funny movies, this one has a coherent plot, a believable (for a comedy) storyline; and some actual depth to the characters. It's more than a collection of gags strung together. It's a wry commentary on what was a reality to many people of the day. In many ways, a political cartoon made into a movie.
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