In this animated comedy from the folks at Disney, the vain and cocky Emperor Kuzco is a very busy man. Besides maintaining his "groove", and firing his suspicious administrator, Yzma; he's also planning to build a new waterpark just for himself for his birthday. However, this means destroying one of the villages in his kingdom. Meanwhile, Yzma is hatching a plan to get revenge and usurp the throne. But, in a botched assassination courtesy of Yzma's right-hand man, Kronk, Kuzco is magically transformed into a llama. Now, Kuzco finds himself the property of Pacha, a lowly llama herder whose home is ground zero for the water park. Upon discovering the llama's true self, Pacha offers to help resolve the Emperor's problem and regain his throne, only if he promises to move his water park.Written by
In the final chase, Kuzco and Pacha run down a curling stone staircase ahead of the now-transformed palace guard. The shadows of the octopus-guard are thrown on the wall at the head of the stairs. The whole image is an homage to the iconic "Sorcerer's Apprentice" scene in Fantasia (1940) See more »
In the opening scene in the jungle, there are clearly shown many Venus Flytrap plants. These plants only occur naturally within a 60 mile radius of Wilmington, North Carolina, which is nowhere near Peru. See more »
[Kuzco and Pacha are tied to a tree branch floating in a river]
Don't tell me. We're about to go over a huge waterfall.
Sharp rocks at the bottom?
Bring it on.
See more »
In the closing Walt Disney Pictures logo, after the arc is drawn over the castle, it disappears. See more »
A sequence showing Kuzco's guards training for the destruction of Pacha's village was fully animated, scored, and in color when it was deleted from the film. Animation of the guards from this sequence appears during the final battle in the film's third act. This sequence appears as a special feature on the DVD. See more »
Although my affection for other Disney movies of the 1990s has decidedly waned, my love for "The Emperor's New Groove" is still as strong as ever. In fact, I'm now beginning to think it's a work of genius. It's clever, unpretentious, fast-paced, and- like "Lilo and Stitch"- you don't feel that the vision of the film was muddled up by the suits. The characters are not constantly breaking into song, and there is a welcome lack of cloying sentiment. No cutesy talking teacups here! The lightning- fast comic timing, sharp writing and constant loony non sequiturs (i.e. "For the last time, we did not order a giant trampoline!") improves upon each viewing, and the voice work is uniformly excellent, from David Spade's hilariously bratty emperor to Patrick Warburton's dim boy-toy Kronk to Eartha Kitt's Yzma (an over-the-top screeching Erte-style villainess with an alleged "secret lab" who is also "scary beyond all reason"). You get the impression that everyone involved had lots of fun making this. The art direction, with its whirling cartoon Inca motifs, is simultaneously goofy and gorgeous- and it shows what marvels can be done with nary a pixel in sight. I even love all the local L.A. humor, with even Bob's Big Boy making an appearance. Although I was initially dismayed when I heard that the project, originally entitled, "The Kingdom of the the Sun," was to be changed to "The Emperor's New Groove," I think in the end the changes were a good thing. Did the world really need yet another bombastic Disney musical?
No, I didn't think so either.
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