200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
The saga continues 200 years after Ripley sacrificed herself for the sake of humanity. Her erstwhile employers long gone, this time it is the military that resurrects the one-woman killing machine through genetic cloning to extract the alien from within her, but during the process her DNA is fused with the queen and then the aliens escape. Now Ripley must decide where her allegiance lies.
Milk had to be added to the underwater set as the water was simply too transparent to be convincing. See more »
(at around 30 mins) When Ripley drives Call's knife through her wrist it does not get damaged by the acid in her blood even though it's soaked in it. In other scenes just a few drops of Ripley's blood burn through thick metal, which would suggest that the knife's blade should also get burnt. However, Call's knife may be made by some alloy, not just simple steel, but added with cadmium/vanadium/iridium that make it unassailable by acids. See more »
My mommy always said there were no monsters. No real ones. But there are.
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Many of the creature effects casting and mold making crew. Some long standing, heavily contributing members, were omitted from the credits. Supposedly due to budget concerns. See more »
The USA Network version is not as heavily edited for violence and language as other broadcasts. Only the most extremely violent scenes appear to have been edited by mere seconds. See more »
The fourth installment in the Alien Franchise was Alien Resurrection which had Ripley (Sigourney Weaver), cloned after she died 200 years ago in Alien 3. The cloned Ripley had in her, the DNA of the Alien so what they company had "CLONED" was a hybrid, a human and the alien DNA mixed.
The new Ripley had in her chest the Queen Embryo, which was removed as soon as the cloning process was a success, and she was studied and she bred a new kind of Alien.
Well, the company also had Alien eggs and they captured men in hyper-sleep and used them to breed the Alien. They caged them and tried to train them but soon the Aliens got smart and broke free and again all hell broke loose.
What makes this last installment to the franchise good was the suspense, in every turn there is something you thought you had figured out till it changes the next second making the story also dynamic. Written by Joss Whedon, who had worked on Buffy the Vampire slayer before this, the story and screenplay had enough action to keep you on the edge of your sit.
The actors were on their toes delivering their lines and their interpretation of character with finesse. Another thing that did it for me was the idea to use the Alien's blood as part of the script, not much about this acid blood has occurred in the previous two installments. But here it played a vital role in the story.
It was also directed by another director, a French director Jean-Pierre who I have to give kudos to, as he did a fine job in delivery. The CGI and the effects in this installment was better than all previous 3 put together, and it has to be said even though this is not better than 2 (Aliens (1986)), it redeemed the image of the franchise.
All in all, it is not a bad re watch.
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