Mr. Jones agrees to surrender to The Collective in return for the release of Michael's son and Nikita's promise to take control of Section One. The Collective kills Jones and frees Adam. Nikita and ...
Xena, a mighty Warrior Princess with a dark past, sets out to redeem herself. She is joined by small town bard, Gabrielle. Together they journey the ancient world and fight for the greater good against ruthless Warlords and Gods.
Fresh out of the farm, Annie Walker must adapt to the challenging life of a CIA operative under the guidance of her handler, Auggie. But soon she realizes her recruit might have to do with her last boyfriend rather than her talent.
Section One, a clandestine anti-terrorist organization, fakes the death of a jailed, convicted murderer and, believing her twin assets of beauty and ability to kill will make her a valuable new operative, trains her in the fighting skills necessary to succeed in her new job. The new operative, code-named 'Josephine', proves to be somewhat less ruthless than planned, however, as she had been falsely convicted and never murdered anyone.Written by
The series' original cancellation in 2000 was due to a dispute between Wilson and the producers of the show over Wilson being offered the role of Jean Grey in 'X-Men' (2000) and asking to be released from her contract early so she could participate. The producers refused and Wilson refused to renew her contract. See more »
Originally broadcast in Canada as "Nikita". Rebroadcasts in the US make use of the film title "La Femma Nikita." In 2001, new episodes were broadcast as "Nikita" while reruns were shown as "La Femme Nikita." See more »
It seems that one genre of film has rarely been successfully translated to tv: The spy film. Can't think of one off the top of my head--except the cartoons like Lancelot Link and Danger Mouse. I suppose in the sixties--Man From Uncle, Mission Impossible.
But here comes La Femme Nikita, a very stylish show, no question, with a certain ruthlessness about it that seems cold and dangerous. Everyone in it seems to adequately convey the sense of dangling over a precipice, waiting for the stark harsh powers to send them to their doom. But until then, they combat various and sundry international terrorists.
While the acting never really rises above adequate--the dialogue really doesn't allow it, the characterizations themselves are rather enjoyable. Megalomaniac Operations, icy Madelaine, zombie like Michael, etc. There's a certain menace that hangs in the air, as if even humanistic Nikita wouldn't hesitate to put a bullet in you were the situation to require it.
I'm not suprised this show draws a devoted following--probably some who put it in the same late nineties genre of women wandering around beating the hell out big bad men (see VIP, Xena, Buffy, etc) But it's rather a bit more than that, the plots are routinely more complex than most spy movies--the last few James Bond movies in particular, maybe they could donate a few writers to the cause in bringing some life in that series.
The endless maneuvering for advantage, the incredible withering amorality, the sudden violence ... and don't forget the clothes, all give this a pretty slick, sexy feel to it. Like a very shiny, glistening new gun--lethal, but undeniably attractive.
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