Percy, upon being released from prison, goes to the small town of Gillead, to find a place where she can start over again. She is taken in by Hannah, to help out at her place, the Spitfire ...
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A 16-year-old American girl with an apathetic view towards her Jewish family history finds herself pulled through time into 1941 to a small Polish village where the Nazi have just began their genocidal propaganda.
51-year-old Herbert Strehlow, a furniture restorer, falls in love with 21-year-old Lea, who has not spoken a word since childhood when her father killed her mother. She bears a striking ... See full summary »
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
Percy, upon being released from prison, goes to the small town of Gillead, to find a place where she can start over again. She is taken in by Hannah, to help out at her place, the Spitfire Grill. Percy brings change to the small town, stirring resentment and fear in some, and growth in others.Written by
Erich Boleyn <email@example.com>
When this won the audience award at the Sundance Film Festival in 1996, a lot of critics sharpened their knives, because the film was produced with money from a religious group, and they thought it was pushing religion on the masses. The truth is, only a couple of scenes take place at a church, and there's nothing particularly "religious" about the storyline. Having got that out of the way, this is another instance where good performances and a promising story are sunk by melodrama. The two good performances are Alison Elliot as Percy, the ex-convict, and the underrated Marcia Gay Harden as Shelby, the housewife who becomes her best friend. The movie is best in the scenes between the two of them(like when they're cooking breakfast together at the grill for the first time), and I also liked the way first time director Lee David Zlotoff uses the outdoors. But he's got a lot to learn about writing, as the movie gradually becomes melodramatic, with so much plot thrown in you're suffocating in it. Also, Will Patton, who I like, is stuck playing such a one-note character he might as well have "Warning: Plot Device" written on him, and Ellen Burstyn does her crotchety old woman again. All in all, a missed opportunity.
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