Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ...Written by
Originally, 20th Century Fox was to finance the film, but disputes arose between the studio and the producers over casting. In particular, Fox preferred a more well-known actress to play Katharine Clifton instead of Kristin Scott Thomas; Demi Moore was lobbying particularly hard for the role. After the producers refused to give in on a series of casting choices, Fox backed out of the film, and the project was uncertain just as production was about to begin. However, within a few weeks - during which the cast and crew stayed on in Italy without knowing if the film would be made - the film was picked up by Miramax. See more »
The helmets worn by the American GIs on VE day at the bridge are actually Russian military helmets. See more »
If one night I didn't come to see you, what would you do?
I try not to expect you.
Yes, but if it got late and... I hadn't shown up?
Then I'd think there must be a reason.
You wouldn't come to find me? Hmm. That makes me never want to come here. Then I'd tell myself, he spends all day searching. In the night, he wants to be found.
I do. I do want you to find me. I do want to be found.
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Disclaimer in end credits: "While a number of the characters who appear in this film are based on historical figures, and while many of the areas described - such as the Cave of Swimmers and its surrounding desert - exist and were explored in the 1930s, it is important to stress that this story is a fiction and that the portraits of the characters who appear in it are fictional, as are some of the events and journeys." See more »
as can be read in many reviews here it is a movie you love or hate - apparently not so much space for opinions in between. I for one think that is a good sign.
I always appreciated this movie, although the genre is not my typical style (I never watched Titanic for instance, and am not planning to).
The English Patient grips because it shows how people can be different when they are in an exotic environment as opposed when they are 'home' (Katherine), it shows how destructive love can be in a slow, strong and utterly painful way, it excites because of the extremely passionate affair, the pain of the one(s) who leave behind, how pointless one can feel to move on.
The photography is just stunning, not to mention the play of the actors. The pace is slow, but timely, and that does justice to the book, the timeline, and the depth/development of the characters. To put this in 110 minutes (as some seem to suggest here) would amputate the multi-layeredness of this movie. People tend to have difficulties with the pace of movies... as if they are in a rush to get to work.. hey - get a life ! ;-) enjoy...
I give this movie 4.5 out of 5.
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