Rick is in his 30s, but still works full-time as a lifeguard on the beaches of Los Angeles, California. He enjoys the fun of it, but even more, the silent moments. However, when he meets ... See full summary »
A dog with a spying device under its skin is sent to the Russian government as a present. When the Russians send the dog to a veterinary, British spy must get to the dog first and retrieve the spying device.
In a rural 1940s southern town, a socially awkward high school girl is taken advantage of by the boys, because it's the only way she knows to relate to boys. But one, Buster, falls in love ... See full summary »
Pamela Sue Martin
It's the turn of the century and jobs are hard to find. A young man assigns himself the job of a store clerk, without pay... only a place to sleep and eat... after he was manipulated by a ... See full summary »
A handsome and successful young doctor returns to his home town in New England to see his dying friend for one last time. However, his friend wants to die because he is suffering so much ... See full summary »
Over the past two years, Chimerica Media have been given exclusive and unparalleled access to conduct a series of interviews with Henry Kissinger and to film him on a series of foreign ... See full summary »
Lionel Chetwynd's excellent script, based largely upon Walter Isaacson's biography of Henry Kissinger, cogently limns a primary motive for President Nixon's National Security Advisor's desire for ending American military involvement in Vietnam: desire for private power. The film essentially addresses that period in 1972/3 when Nixon and Kissinger worked together, despite obvious tension between them, to bring the war to an end. The President did not want a peace settlement until directly before the 1972 election in order to enhance his chances of winning by a landslide, but Kissinger organized top-secret peace talks in Paris with both Vietnamese governments, raising a question as to his true goal in crafting an accord - peace or personal popularity? When negotiations among representatives from Washington, Saigon and Hanoi fail, bombing of civilian targets in North Vietnam follows, and we sense that Kissinger is opposed to such an action, since his espousal of earlier bombing attacks is not mentioned. Political machinations throughout the negotiation period engaging Nixon's staff, and the Pentagon, are well-drawn in a soundly organized script. Veteran director Daniel Petrie leads with his customary skill and periodically intersperses, to good effect, actual wartime footage amid the main element of this work: realpolitik. Although he has sporadic difficulty with emulation of Kissinger's Teutonic accent, one could not wish for a better characterization than that provided by latex bedaubed Ron Silver, who obviously not only studied but mastered the future Secretary of State's mannerisms. Skillful Matt Frewer answers the call, in this very well-cast production, as General Alexander Haig, and his performance is splendidly nuanced, in no small part due to Petrie's careful direction and the fine editing of Stephen Lawrence. Capable acting turns also come from Beau Bridges as Nixon and Canadian Ron White as H.R. "Bob" Haldeman, yet it is Silver's delivery of the line "I will bring peace despite all this deceit around me" which a viewer will recall as an example of the curious irony which marks this well-wrought film.
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