A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
A tenacious lawyer takes on a case involving a major company responsible for causing several people to be diagnosed with leukemia due to the town's water supply being contaminated, at the risk of bankrupting his firm and career.
In order to foil a terrorist plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
Some guys get all the luck, whether they like it or not. Chili Palmer happens to be in Hollywood collecting a gambling debt when he's struck by lightning (not literally). Called a natural for the movie business, he's snagged up by a producer. The rest is history.Written by
Joshua Davis <email@example.com>
When Harry and Chili are driving in Hollywood, their car is further back during later parts of the conversation, proof that they took later shots from the earlier positions as evidenced by the Napoléon Bonaparte billboard in the background. See more »
A line of dialogue from John Travolta is missing from the UK 2-disc edition. The line "So You're Trying to Say You're Never Gonna Sleep Again?" comes directly after the credits as a question to Martin Ferrero's character. The line is dubbed and subtitled, and the music plays out as usual, so it's not an audio glitch. The line is present on the first UK MGM-release. See more »
Smart, funny mobster comedy/satire based on the novel by Elmore Leonard. Travolta is well-cast in one of his very best roles as a slick Miami loan shark/enforcer who travels to Los Angeles to cash in a loan, but instead ends up teaming with B-movie writer/producer Hackman to fulfill his dream of being connected to the movie business. Before he can however, he must deal with bumbling mobsters, white-collar criminals, and the anxiety of trying to find the right leading man. Crackling, hilarious dialogue, well-drawn characters, and clever insight into the movie business run rampant in this snappy little comedy. Maybe not for all tastes, but well-made and a definite must for Travolta fans. ***
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