Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
When her brother decides to ditch for a couple weeks, Viola heads over to his elite boarding school, disguised as him, and proceeds to fall for his school's star soccer player, and soon learns she's not the only one with romantic troubles.
Cher, a high school student in Beverly Hills, must survive the ups and downs of adolescent life. Her external demeanor at first seems superficial, but rather it hides her wit, charm, and intelligence which help her to deal with relationships, friends, family, school, and the all-important teenage social life.Written by
Michael Kaminsky <email@example.com>
When Cher & Josh bring home the takeout for her father and his lawyers, we see a cardboard carton with 4 full containers of coffee on the table. Someone lifts the carton up and the cups tip, revealing the cups to be empty. See more »
Shit, you guys, I have never had straight friends before!
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Other than the Paramount Pictures logo and the movie's title, there are no opening credits. See more »
"We might get Marky Mark to plant a celebrity tree."
A fun teen comedy from Amy Heckerling, the director of the woefully overrated Fast Times at Ridgemont High and the first two Look Who's Talking movies. Clueless is the best thing she's ever done, in my opinion. It put Alicia Silverstone on the map. Well, that and Aerosmith videos. Silverstone is pitch-perfect as Cher, the role of her career. It's impossible not to like her in this movie. It's also pretty much the best thing Stacey Dash and Breckin Meyer ever did. Not to mention the first big role for Paul Rudd. As most everyone knows, it's based on Jane Austen's "Emma." For a teen comedy, it's refreshingly smart. The story may not be all that but there's lots of good dialogue rather than a string of F-bombs or Stifler-like characters. One of the few memorable '90s comedies.
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