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The Celluloid Closet (1995)

A documentary surveying the various Hollywood screen depictions of homosexuals and the attitudes behind them throughout the history of North American film.

Writers:

Vito Russo (book), Rob Epstein (story) | 3 more credits »
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Nominated for 4 Primetime Emmys. Another 7 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Lily Tomlin ... Narrator
Tony Curtis ... Himself
Susie Bright ... Herself
Arthur Laurents ... Himself
Armistead Maupin ... Himself
Whoopi Goldberg ... Herself
Jan Oxenberg Jan Oxenberg ... Herself
Harvey Fierstein ... Himself
Quentin Crisp Quentin Crisp ... Himself
Richard Dyer Richard Dyer ... Himself
Jay Presson Allen ... Herself
Mrs. Gustav Ketterer Mrs. Gustav Ketterer ... Herself
Gore Vidal ... Himself
Will H. Hays ... Himself (archive footage)
Farley Granger ... Himself
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Storyline

A comprehensive documentary of the history of gays and lesbians in cinema, from negative to positive reflections of gay characters and the troubles of actors and actresses. Written by R. John Berggren <jberg@nina.pagesz.net>

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for some graphic footage of sexuality and violence, and for language | See all certifications »
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Details

Country:

France | UK | Germany | USA

Language:

English

Release Date:

15 March 1996 (USA) See more »

Also Known As:

Celluloid Closet See more »

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Box Office

Opening Weekend USA:

$95,047, 17 March 1996

Gross USA:

$1,400,591

Cumulative Worldwide Gross:

$1,400,591
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Cher, Liza Minnelli, and Bette Midler were scheduled to be interviewed for this documentary, but all canceled at the last minute due to scheduling conflicts. See more »

Quotes

Shirley MacLaine: None of us were really aware. We might have been forerunners, but we weren't really, because we didn't do the picture right. We were in the mindset of not understanding what we were basically doing. These days, there would be a tremendous outcry, as well there should be. Why would Martha break down and say, "Oh my god, what's wrong with me, I'm so polluted, I've ruined you." She would fight! She would fight for her budding preference. And when you look at it, to have Martha play that scene - ...
See more »

Connections

Features Gentlemen Prefer Blondes (1953) See more »

Soundtracks

(Love Is Like a) Heatwave
Written by Brian Holland, Lamont Dozier, and Eddie Holland
Performed by Martha & The Vandellas
See more »

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User Reviews

 
Everyone should see this film.....every film lover especially so; every gay person definitely!
28 November 1998 | by Nic-8See all my reviews

This is not a "film" in the traditional sense...perhaps

This is not a "documentary" in the traditional sense...probably

What is it??

The Celluloid Closet is a comprehensive history of film - gay film, straight film, "is she/isn't she?..." film. Everything. It is the result of 10 years hard work - no-one (especially big film/tv studios) is keen to fund a 2 hour film on gay movie visibility, they're all too busy closetted away (often literally) making sure viewers won't be offended by their output...

However the time, effort and sheer love that has gone into this is utterly evident and it may be a blessing in disguise that it took so very long. The film is based heavily on the late Vitto Russo's book of the same name. Russo was a film buff who catalogued in detail the visibility of gay and lesbian characters in cinema. He included film from across the globe and updated the book for the last time in the mid eighties (Parting Glances and My Beautiful Launderette having just been completed) before the explosion of new gay film of the last decade. The film takes the historical content of the book and uses the best editing *I* have ever seen to produce enlightening sequences on the treatment of gay people and issues. Although it only concentrates on Hollywood films, it has the advantage over the book in that it was right up to date at its time of completion.

Not only does The Celluloid Closet use self-appointed gay films, it also takes enormous pleasure in covering those films we love and know as gay classics even though the tension is a subtle sub-plot often totally lost on a straight audience! Absolute treats are the celebrity comments (they will set a thousand conspiracy theories going in your head too!), better still is the input of relatively unknown behind-the-camera people, writers etc, who are at liberty to be far more honest about their views.

There are also clips from classics like Rebecca, Calamity Jane (the dykiest show on earth if you ask me!), Ben Hur, My Beautiful Launderette, Parting Glances.......etc etc.. Any film you can think of is probably there - if not then maybe you should write a sequel!

Did you ever think that Laurel and Hardy were very cosy with each other? Did you think Mrs Danvers was a little forward going through Rebecca's undies? Did you explode at *that* kiss in Morroco? Have you always secretly thought The Hunger was a good movie? .............Well so did someone else. Quite a lot of someone elses - and some of them were the writers!

This is such a good film for too many reasons. I'd go as far as saying it's perfect film.

It has no characters/plot, etc but it shows the progress of gay visibility as one of the best stories there is. The people who made those movies are the cast. It is a film

It is informtive, funny, clever and revealing. It tells EVERYONE about their history and heritage. The general observations about film-watching apply to anyone. It's impressively detached and lets you draw your own interpretation. It's a documentary.

You will sit there thinking "wow" when it finishs. You will wonder how you view films - and how everyone else views them. It may even make you nostalgic for the days when closetted was the only option (and endless sex-scenes were impossible and forbidden so plot and dialogoue had to make do). You will think of omissions and ponder those included but it will get you thinking. That's the important part.

If this film doesn't make you want to go out and watch all your favourite movies plus all those featured in it then I'll be amazed!

It may sound like it, but it's no chore to watch. It's a pleasure.

It's inspiring. wonderful. Ultimately uplifting. And you'll need to see it again.....and again....and again! ....oh yes! And kd lang sings "Secret Love" at the end! Wow!...


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