A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
This Martin Scorsese film depicts the Janus-like quality of Las Vegas--it has a glittering, glamorous face, as well as a brutal, cruel one. Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world. Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 1970's and '80's are revealed. Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals. However, they each have a tragic flaw--Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
According to Alan King, Frank "Lefty" Rosenthal, upon whom Sam "Ace" Rothstein (Robert De Niro) was based, wanted Richard Widmark to play the lead in the film. However, Widmark was eighty-years-old by that time, and, therefore, not a practical choice. See more »
in the scene where Ginger and Sam/Ace are at dinner at a restaurant, the camera keeps switching back and fourth to Ginger and Ace, when the camera is looking at Ginger, Ace is talking to her, but he is not moving his mouth. See more »
When you love someone, you've gotta trust them. There's no other way. You've got to give them the key to everything that's yours. Otherwise, what's the point? And for a while, I believed, that's the kind of love I had.
[Ace's car explodes]
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"This is a fictional story with fictional characters adapted from a true story." See more »
In India, the theatrical release was heavily cut, despite of being given an A (adults only) certificate. Following were the cuts made:
Reduce to a flash the visuals of the woman undressing and her nudity.
Reduce by 50% the beating of the hand with a hammer.
Reduce by 50% the scene in which the man is tortured with his head in the vice.
Reduce by 50% the scene depicting sexual intercourse between Nicky and Ginger.
Delete the visuals of blood spurting out of the mouth of a man who has been shot in the head.
Delete the visuals of the plastic bag being pulled over the man's bloody face in the car.
Reduce by 50% the beating up of Nicky and his brother especially deleting the visuals of their bloody faces.
Delete all visuals of the battered bodies and delete all close shots of their bloody faces of the men in the grave. General cut: Delete the following phrases wherever they occur: a)Jew Ass b)Mother fucker/mother fucking c)Sisters ass d) Fucking c***t.
As a lifelong gambler who has crossed paths with a few fringe types portrayed in the film, I'm well aware of the story, the culture, and the ambiance of the Tangiers, the fictional casino placed in the control of Sam "Ace" Rothstein (Robert Deniro). Rothstein is not a mob member, but a "moneymaker" for them because he's the nation's best sports handicapper. It was refreshing for a movie to finally show that not all gamblers are stupid, but instead one of those who takes advantage of the many who are.
Rothstein's partner in crime is Nicky Santoro (Joe Pesci), who is far less convincing as a mobster than he would seem to like to believe. Sharon Stone plays the psychotic Ginger, a once-in-a-lifetime role in that it was the only time in my life I could bear to watch her on film. The supporting cast is strong, led by James Woods and Don Rickles (excellent in his dramatic capacity), and the movie is generally well-acted.
If you are a gambler or know the "wiseguy" culture, the movie doesn't have to be explained, while if you aren't, you'll feel like you've stumbled upon the secret meeting place of the mafia and made privy to what is said, without anyone knowing you were there. This film is based on the true story of what happened when the mob tried to put its men in suits and have them heading a casino, and why it has never been tried since. The homage paid to the incestuous nature of Nevada politics was an excellent touch.
Most of us wouldn't like a guy like Sam Rothstein, nor would we like to be him, but if we go to Vegas for a weekend and stay at a casino/hotel, we'll have a better experience if his watchful eye is ensuring that our stay is a pleasant one. The film's nod to how Vegas has been sanitized since those days is also accurate, and reflects sadness at a lost era, where the baby (the "old school" types who made Vegas great) was thrown out with the bathwater (the organized crime influences).
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