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The Thief and the Cobbler (1993)

When Tack upsets ZigZag the Vizier, the wizard drags him off to the royal castle, where Princess YumYum falls for the bashful boy and saves him from execution. Unfortunately, ZigZag plans ... See full summary »

Director:

Richard Williams

Writers:

Richard Williams (created by), Richard Williams (screenplay) | 9 more credits »
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Cast

Cast overview, first billed only:
Vincent Price ... ZigZag (voice)
Bobbi Page ... Princess YumYum (Majestic Films version) / Additional voices (Miramax version) (voice)
Steve Lively Steve Lively ... Tack the Cobbler (Majestic Films version) / Additional voices (Miramax version) (voice)
Ed E. Carroll Ed E. Carroll ... The Thief (Majestic Films version) / Additional voices (Miramax version) (voice) (as Ed. E. Carroll)
Clive Revill ... King Nod (re-edited versions) (voice)
Mona Marshall ... Nurse (Majestic Films version) / Witch (Majestic Films version) / Additional voices (Miramax version) (voice)
Joan Sims ... Mad and Holy Old Witch (voice)
Kevin Dorsey Kevin Dorsey ... Mighty One-Eye (re-edited versions) (voice)
Donald Pleasence ... Phido the Vulture (original and Majestic Films version) / Additional voices (Miramax version) (voice)
Stanley Baxter ... Gofer / Slap (voice)
Kenneth Williams ... Goblet / Tickle (voice)
Clinton Sundberg ... Dying Soldier (voice)
Windsor Davies ... Chief Roofless (voice)
Frederick Shaw Frederick Shaw ... Goolie (voice)
Thick Wilson Thick Wilson ... Hook (voice)
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Storyline

When Tack upsets ZigZag the Vizier, the wizard drags him off to the royal castle, where Princess YumYum falls for the bashful boy and saves him from execution. Unfortunately, ZigZag plans to marry the Princess in order to succeed her father, King Nod. The Thief, meanwhile, is more interested in gold than love and takes off with the protective orbs topping the palace. Together, Tack and YumYum attempt to retrieve them in order to prevent ZigZag and the One-Eye army from conquering the city. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Add Synopsis


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA | Canada | Taiwan | Ireland | China | Hong Kong | Thailand

Language:

English

Release Date:

25 August 1995 (USA) See more »

Also Known As:

Arabian Knight See more »

Filming Locations:

London, England, UK

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$319,723, 27 August 1995

Gross USA:

$669,276

Cumulative Worldwide Gross:

$669,276
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(workprint) | (The Princess and the Cobbler) | (Arabian Knight)

Sound Mix:

Dolby | Dolby SR (theatrical print)| Dolby Digital (theatrical print)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

As originally conceived in the 1960s, this movie began as an adaptation of the stories of Mullah Nasrudin, a wise fool from Middle Eastern folklore. Richard Williams had illustrated a collection of the Nasrudin tales by Idries Shah and decided to adapt them to the screen. Work stopped in 1972 when the Shah family threatened to sue Williams for copyright infringement. So all references to Nasruddin were scrapped and production resumed on what was now titled "The Thief and the Cobbler." Nasrudin does make a cameo in the final movie, however. He's in the crowd, sitting backwards on a donkey, as ZigZag enters the city. See more »

Goofs

During the song sequence in the desert scenes, it is said they are all illiterate, but earlier they were seen reading. See more »

Quotes

The Thief: Finally, a benefit from my parents being circus people!
See more »

Crazy Credits

The end credits of the South African/Australian prints of "The Princess and the Cobbler" show scenes from the movie that were scrapped from the edited versions, including the Thief narrowly avoiding getting his arms chopped off, behind the credits. However, the prints of "Arabian Knight" only use a black background behind the credits. See more »

Alternate Versions

An unofficial video reconstruction has been created in 2006. It consists of footage from a first generation videotape of the first work-print, the "Princess and the Cobbler" work-print, a pan & scan DVD of the completed "Princess" cut, and a wide-screen DVD of the Miramax "Arabian Knight" version. Whenever possible, the Miramax cut is used to fill in as higher quality footage. The pan & scan DVD is sometimes overlaid over the work-print to allow the highest quality given the limited resources. Finally, the original audio is kept such as the music, original voices, keeping Tack and The Thief silent. This is meant to reflect the original intended version. See more »

Connections

Featured in I Drew Roger Rabbit (1988) See more »

Soundtracks

Am I Feeling Love
Lyrics by Norman Gimbel
Music by Robert Folk
Performed by Bobbi Page and Steve Lively
Pop version performed by Andrea Robinson and Arnold McCuller
See more »

Frequently Asked Questions

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User Reviews

Miramax version vs. workprint
20 June 2001 | by Wizard-8See all my reviews

I've had the opportunity to view a copy of the workprint Richard Williams cobbled together (consisting of finished footage, storyboards, and pencil tests), and it gives a good idea as to what the movie would have been like if Williams had managed to finish it.

Is it better than the Miramax version? Most definitely. Miramax vandalized the movie by adding those voice-overs for the Thief and the Cobbler characters - a ludicrous idea, since these characters were designed to be SILENT. Seeing these quiet characters not moving their mouths - but hearing wise-cracking dialogue, and dialogue that doesn't fit the character's personalities - is infuriating and very distracting. Though Miramax didn't do all the butchery, since the movie was significantly cut by other hands, and with poor linking animation added. (Not to mention some HORRIBLE song numbers.)

The workprint beats the Miramax version by far - but it's not perfect. True, seeing all that uncut animation - AMAZING animation - makes it a must see. It's breathtaking at times. But if the movie had been finished, I'm sure critics and audiences - when not gushing about the animation - would have criticized the story and characters. There's barely a story here, and it takes forever to get going. And once it gets going, there are plenty of times when the story stops for a pseudo intermission. Apparently, Williams was so charmed by all the vignettes that he thought up (mostly to do with the Thief bumbling around and making an ass of himself), he didn't want to leave any of them out. Seen by themselves, the vignettes are funny and a wonder to the eye. But seeing one after the other...well, it gets tiring after a while.

As well, with all the effort put in making visual splendor and animated gags, it seems not much was put into fleshing out the characters more than they are now. (Though they all have a charm that carries them further than you'd expect.)

Though I do have some sympathy for Williams for the heartbreak he suffered after being fired from the project (after working on it for more than 20 years!), he must accept his share of the blame for his firing and the eventual butchery of his project, seeing that he constantly went over time and budget, and refused to stop "improvising" as well as avoiding scripts and storyboards.

Anyway, seek the workprint and avoid the Miramax version!


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