Ace Ventura, emerging from self-imposed exile in a remote Himalayan hideaway, travels to Africa with explorer Fulton Greenwall to find a sacred bat which is told will avert a war between with Wachootoo and Wachati tribes. Of course, when Ace gets involved, all hell breaks loose...Written by
Jonathan Broxton <email@example.com>
Throughout the film, Ace Ventura is accompanied by his pet monkey and sidekick "Spike". Spike appears to blend in easily in the African jungle environment and attracts little attention from Ace's enemies. However, Spike is a Capuchin monkey (Subfamily:Cebinae), and they are only native to Central America and South America. See more »
When Ace is drumming on the tree fungi one is knocked off and the metal rod that was used to attach it to the tree is visible. See more »
Negative. No sign. Wait a second, I think I got him.
You know you could poke somebody's eyes out with that thing.
See more »
One minute and thirty five seconds were cut from the theatrical version to get a PG certificate in the UK. A further three seconds where also cut to get a PG for the video release. These cuts remove a lot of the "crude humour".
The cuts are as follows:
The raccoon rescue is edited, mostly cutting shots of the clearly distressed animal.
The scene of Ace casting shadows on the projector slide has been edited so that his shadow is going after Gahjii's neck instead of his groin.
Ace's line "Excuse me. Your balls are showing! Bumble bee tuna!"
Ace's snorting in the hut has been reduced.
Likewise, when everyone is exiting the hut in hysterics, the shot cuts away earlier due to the graphic details.
The shot of Ace masturbating is missing.
When Ace is lecturing Quinn, the shot of Ace prodding his eyeball has been reduced. This could be due to strong language and/or imitable technique.
After removing an apple core from the tribesman, Ace pushing the baby out of the mother's tummy is missing, as well as the shot of the father catching the baby.
The Warrior stomping on Ace's crotch and ripping the spears out of his legs.
Despite being retired since a cliff top incident with a racoon, Ace comes out of retirement to help find a missing sacred bat that is the symbol of peace between two African tribes. However he finds things are not all as it seems.
The sequel to the first film was never going to be a fantastically inventive affair but rather more of the same, albeit not as fresh or different. The plot is almost meaningless and certainly not important to enjoying the film. The comedy is everything and it almost manages to make for a good film. Opening with an inspired and hilarious Cliff Hanger spoof followed by a reference to William Shatner's episode of the Twilight Zone, the film fails to really keep it up and slips into relying wholeheartedly on Carrey's mugging.
Mostly this is funny but it is less sophisticated than the first film (if it's possible to describe the first film as that!). The jokes become more about the faces he pulls than about any invention in the dialogue or writing. As such you'll like this or hate it based on how you like Carrey when he is manic. I like him when I'm in the mood and laughed pretty regularly here.
Carrey of course carries the film with ease but also has famous support like he did in the first film. However they are not given as much to do and are of less value Callow, Gunton and McNeice are not that missed when off-screen. Of curiosity value are several British actors playing Nigerians Akinnuoye-Agbaje is better known as the amazing actor from Oz on HBO and is given nothing to do here, meanwhile Okonedo is pretty and humorous for those of us who know her better for her gritty role in Clocking Off on BBC1.
Overall anyone watching this should just be aware of what they are getting it's a silly comedy that is totally reliant on Carrey's mugging to carry it. If you're not in the mood for that then avoid but even if you are then you should be aware that it still might not be that good a film.
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