An alien similar to Ra appears out of the Stargate, killing five soldiers and kidnapping another, a year after the original Stargate mission. A new team is assembled, including some old ... See full summary »
Richard Dean Anderson,
Private Luc Deveraux and his sadistic sergeant, Andrew Scott, got killed in Vietnam. The army uses their bodies for a secret project - reanimating dead soldiers as deadly obedient cyborgs. However, their memories come back too.
Jean-Claude Van Damme,
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
Stem cells, gene therapy, transplants, and cloning have changed the definition of "humanity" in the modern world, but the darker side contains monsters that only few are brave enough to face, because the future lies in their hands.
In 1928, in Egypt, a strange device is found by an expedition. In the present days, the outcast linguist Dr. Daniel Jackson is invited by a mysterious woman to decipher an ancient hieroglyph in a military facility. Soon he finds that the device was developed by an advanced civilization and opens a portal to teletransport to another planet. Dr. Jackson is invited to join a military team under the command of Colonel Jonathan 'Jack' O'Neil that will explore the new world. They find a land that recalls Egypt and humans in a primitive culture that worship and are slaves to Ra, the God of the Sun. But soon they discover the secret of the mysterious "stargate".Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In a magazine interview, James Spader said that he found the original screenplay "awful" but also that it was so bad it actually intrigued him. He then met with Roland Emmerich, was inspired by the director's passion for the project, and decided to make the movie because he felt the energy and craziness of making such a film would translate into an exciting final film. See more »
When Daniel exits the secure area to get water for the coffee pot, the 'guard' looks up expectantly at Daniel who shows his ID badge before getting the water. He then walks back into the secure area unchallenged (right before he takes the newspaper from the guard). He wouldn't need to be challenged to leave the secure area, only to return. Even though he was still within eyesight of the 'guard', any military person involved in security would still need to see is ID badge before re-entering the secure area. See more »
Details of the additional scenes included in the longer 9 minute version release by Artisan on DVD
An additional scene added straght in at the beginning immediately after the opening titles (originally it faded to the dig at giza) shows the entirety of the scene where Ra takes over the body of the caveboy showing the cavemen running from the light in the sky and showing him walking towards it. From this point it fades to the original opening scene at the Giza dig.
Moments after the stargate has been hoisted up by the workmen at the Giza dig, people notice that there is something underneath it: a group of the Hora guards encased in the stone. The director's commentary on the DVD states that these are other guards that have come through the gate after it was sealed and were re-integrated straight into the stone.
In the scene after the stargate has been opened for the first time and the military are checking the pictures of the marking of the gate on the other gate, after James Spader says he is 'positive' he can decipher the symbols, Kurt Russel's character turns and says "it's your call" in the theatrical version. In the special edition the line has been re-dubbed by him saying instead now "he's full of shit" - presumably this was done for rating purposes of the theatrical release.
An additional scene before Kurt Russell is gearing up with the group about to go through the stargate, shows him going to a secured area to look at the stone/fossil Hora's.
When the army group are setting up the camp in the desert there is a longer scene where the group discuss more about how the stargate works and how they are going to get back to Earth. The scene during the sandstorm inside the pyramid is also extended with more footage of them talking about the sandstorm and how they are going to get back to earth.
When the sandstorm initially hits at the nagada village and Kurt Russell, James Spader and the others are locked inside the city, they decide that they do not want to stay and decide to leave; when the natives try to stop them Kurt Russell shoots at the ground to frightem them off. The boy (whom he later befriends) takes him up above to see the sandstorm approach. After this, a native that they were holding at gunpoint is released and Jackson comments "Sandstorm, that would have been a brilliant reason to shoot everyone".
The scene when James Spader awakes in the sarcophagus after being killed is extended, showing him walking towards Ra's chamber, seeing a cat sitting on Ra's throne.
When James Spader turns and shoots at Ra instead of his comrades so that they can flee, there are several extended cuts put in. Originally they were just ushered away by the natives, in the special edition they ride away on one of the Mastadges. Kurt Russell and James Spader are then seen lost in a sandstorm and found by the boys, and taken to the caves (which is in the theatrical edition); an additional scene after this sees the boys feeding the Mastadges outside the caves.
Stargate is one of those great movies that hasn't got the respect it deserves. At first I thought the movie was about time travel since they go to a place that is like Ancient Egypt, which didn't really interest me at all. Then I caught an episode of the T.V. show and got curious. When I saw the movie I was blown away. The special effects were ones I had never really seen before (such as opening the Stargate for the first time). I was getting tired of seeing sci-fi movies where every alien race spoke perfect English and I thought I would experience that until the team met with the villagers which I thought was better. It's always cool to see Kurt Russel kicking ass in films. It was also different to see James Spader play the semi-nerdy guy instead of the asshole he mainly plays. I was also amazed when Roland Emmerich chose one of the simplest villains for a movie, an ancient Egyptian god. I watch this movie every week and I never get tired of it.
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