Slave traders bring back an evil voodoo entity that is accidentally freed by the Confederate army during the Civil War. The entity possesses the bodies of the dead soldiers to create an ... See full summary »
The story of Charlie Darby, who has everything going for him: a great job, friends, family, the whole package. The one thing Charlie doesn't have is love, because every time he gets close, he goes clinically insane. When he meets the perfect girl, Charlie must overcome his psychosis to claim his chance at true love.
A spin-off with characters from the "Married...with Children" series. Intellectually challenged Vinnie and his chronically unemployed father share an apartment. Re-worked the following year as "Vinnie and Bobby."
Joey Lauren Adams
Kevin Keegan is a recently divorced TV news photographer who quits his job and returns to Roosevelt High School to teach the kids how to make a weekly cable TV show. Principal Steadman ... See full summary »
She does more than just make friends while inside, she starts a lesbian love affair that draws the wrath of the warden, an ex-Olympic athlete who looks for track and field capabilities in her girls. Meanwhile the rat of a boy friend she protected threatens her younger sister to force her to maintain her silence.Written by
John Sacksteder <firstname.lastname@example.org>
This film, directed by New World Pictures alumnus Jonathan Kaplan and starring cult favorite Aimee Graham, is part of the "Rebel Highway" series of remakes of 1950s juvenile-delinquent films.
For what was basically a chance for the filmmakers to have fun, _Reform School Girl_ is quite watchable. There are the allusions to McCarthyism characteristic of the "Rebel Highway" series (and a well-done general 50s ambiance), and the usual array of interesting types we meet in women-in-prison films. This one is nowhere near as graphic as a typical entry in that genre, but there is one lesbian love scene that is strikingly filmed and acted, suprisingly graphic for such young-looking actresses, and really kind of a tonal shift from the rest of the film. Unfortunately, the film never really resolves the lesbian relationship.
The only time I really cringed was the scene where Donna (Aimee Graham) started dancing and singing with the mop, and the camera began moving around and getting in the faces of the onlookers. This was a totally ridiculous scene (but I guess it's hard to pad these things out to 80 minutes).
Graham is stellar in the title role, a girl who has had to deal with abuse and, while in reform school, awakens to more positive sexual experiences. I really wish Hollywood would take more notice of her.
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