A cowardly boy, who buries himself in accident statistics, enters a library to escape a storm, only to be transformed into an animated illustration by the Pagemaster. He has to work through obstacles from classic books to return to real-life.
A time traveling scientist goes back to prehistoric times and feeds dinosaurs a magic cereal that increases their intelligence - next they land in modern New York City for a series of comic adventures.
Omri, a young boy growing up in Brooklyn, receives an odd variety of presents for his birthday: a wooden cabinet from his older brother, a set of antique keys from his mother and a tiny plastic model of an Indian from his best friend Patrick.
A canine angel, Charlie, sneaks back to earth from heaven but ends up befriending an orphan girl who can speak to animals. In the process, Charlie learns that friendship is the most heavenly gift of all.
This is the story of a young boy named Richard Tyler, who spouts statistics about the possibility of accidents. So much so, he is scared to do anything that might endanger him, like riding his bike, or climbing into his treehouse. While riding his bike home, Richard finds shelter from a storm inside a nearby library. Richard slips and is knocked unconscious while exploring a rotunda in the library. Upon awakening, he is led on a journey through conflicts and events that resemble fictional stories, keeping him from finding the exit from the library.Written by
Anthony Pereyra <email@example.com>
With its curious mix of Time Bandits-like enchantment and plain sense of fun, The Pagemaster represents the least-annoying and most enjoyable contribution Culkin has made to the industry since Home Alone. This won't be the monster hit that movie was, but children venturing into The Pagemaster should be no less beguiled. Grownups who often feel insulted by the too-juvenile tone of most so-called "family features" will likely find this movie long enough to catch their attention, but short enough not to lose it -- in essence, a surprisingly affable (and occasionally even sophisticated) movie-going experience. Most importantly though- This film is even more relevant today 25 years on.
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