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In colonial India, subedars (tax collectors) went from village to village with soldiers, often demanding more than taxes. A subedar commands Sonbai, a beautiful and confident woman whose ... See full summary »
Dr.Rao (Girih Karnad) is a Vetinary doc, who comes to this village with the aim of starting a Milk Co-operative society for the welfare of the villagers. But the wealthy businessman ... See full summary »
Coming from a poor and destitute family, Urvashi is encouraged by her mother, Shanta (Sualbha Deshpande) to be on more than friendly terms with a much older male, Keshav Dalvi (Amol Palekar... See full summary »
Anirudh Parmar is blind, but he does not let this impairment bind him down. He runs a school for the blind as a Principal. He meets with social worker, Kavita. Kavita is attracted to him, ... See full summary »
The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
Vishwam (Naseeruddin Shah) is the youngest brother of the powerful and influential village Zamindar (Amrish Puri). The Zamindar will not hesitate to do anything for the welfare and ... See full summary »
On a lazy afternoon, a man shares his memories of a storyteller friend who once narrated a convoluted love story with intertwined plots. As these plots unravel, reality mixes with fiction.Written by
This is not the first time Rajit Kapoor (Manik) and K.K. Raina (elder brother) are appearing together on screen. K.K. Raina plays his side sidekick in the TV series Byomkesh Bakshi (1993-1997) where Rajit is in the lead role. See more »
ln stories we can twist our dreams and reality to fulfil our desires. A story is a strange mixture of truth and invention,through which we see what we are, what we desire to be, What we eventually become.
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Stylistic and intellectually driven art-house production
Shyam Benegal directs this 1993 film based on Bharti's Hindi novel. The highly experienced cast and talented production team manage to cook up a rich tapestry of semi-dream-like experiences of a young man, entering into adulthood. Using a story-teller mosaic, the narrator (Rajat Kapur) goes back and forth over the lives of 3 women whom he was involved with in his high-school and early college.
Simple-minded country bumpkins do lead colorful complicated lives filled with drama and intensity. Surely but occasionally. Mostly not as it is shown here. There's somewhat of a mismatch between the rural atmosphere and the refined, educated, urbane, clean-cut protagonist. That cavalier attitude of his ('Look, I've arrived') doesn't give it away, rather it only serves to confound. Benegal conditions you from the very start not to expect great drama until the very end. Watching the dead-pan account with an equally dead-pan expression is all you can do. Use of purist as opposed to colloquial Hindi fails to have the desired effect. Could be due to Benegal's early background in documentaries for Films Division, NFDC, 'Door'darshan, et al.
If one watches such movies at a theater, it will either be mostly empty to start with, or mostly empty within 10 min., or most certainly mostly empty halfway thru i.e you can sit anywhere post-interval and munch on your popcorn. Audiences thumb it down, and the producers foolishly tell themselves its because viewers are illiterate, they don't get it, etc.
No doubt the screenplay, direction, photography, etc are all top-notch. But if there's no drama and not much entertainment, why blame viewers? Style alone can't substitute for substance.
The movie made no ripples at the box-office and disappeared without a trace (can't blame that on Shahrukh-Madhuri). Left a lot to be desired by way of suggestibility (not suspense, go figure!)
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