A young boy mourns the death of his father, and begins a quest to find his mother. He encounters many people on the way who quote Buddhist precepts: an eccentric monk, a girl who grows up ...
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A young girl is caught up in the 1980 Gwangju massacre, where Korean soldiers killed hundreds, if not thousands, of protesters who opposed the country's takeover by the military the year ... See full summary »
To Chinese restaurant delivery boy 'Ju', the only joy in life is spending time at the electronic game room. One day, 'Ju' who was engrossed in an electronic game as usual, is advised to ... See full summary »
Situated in the small poverty stricken town of Woomukbaemi, South Korea, this film centers on a clothes factory manager and the triangular relationship between himself, his insatiably jealous and violent wife, and one of his employees.
Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Taking a seat on a theatre stage, she uses photos and film excerpts to provide an insight into her unorthodox oeuvre.
A young boy mourns the death of his father, and begins a quest to find his mother. He encounters many people on the way who quote Buddhist precepts: an eccentric monk, a girl who grows up into a young woman, a prison inmate, a foul-mouthed doctor and the young son of a hard drinking astronomer. Each of them tell the boy to seek someone to help him find the truth and his mother.Written by
Jang Sun-Woo, who is known for his later (and occasionally extreme films), can always be counted on for intelligent, probing work -- however amusing or even shocking. Hwaomkyung is set in the modern day, telling the story of a Buddhist sutra as through the often surreal events that happen to a young boy. The story follows the general format of stories about spiritual seeking, except this one is so visually convincing that you almost feel as if you've been on a spiritual quest yourself. This has much of the earthiness of Im Kwon-Taek's Mandala, but it doesn't take itself quite as seriously. As a result, the viewer is likely to be entranced by this totally original spiritual quest -- as magical as any Journey to the West -- but one that somehow retains an aura of the sacred. As a result, those who feel they might be turned off by a film like this are likely to be surprised; it's moving, and often quite amusing.
Hwaomkyung is, in short, a near-miracle of a film, one that transcends the pitfalls of your average religious film by divorcing itself from preachiness and doctrinal baggage. Instead, we end up with scenes that are almost transcendent. The story, the images...just breathtaking.
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