Sequel to 3 Men and a Baby (1987), Mary starts school. Actress mom is now living in the apartment in NYC with the biological dad and 2 honorary dads, who are still actor, architect and cartoonist. Mom's English boyfriend proposes.
When his parents have to go out of town, Dennis stays with Mr. and Mrs. Wilson. The little menace is driving Mr. Wilson crazy, but Dennis is just trying to be helpful. Even to the thief who's arrived in town.
Deloris Wilson, a black woman who has chosen the stage name Deloris Van Cartier, is a Reno lounge singer, she the lead in a girl trio in which she also chooses and arranges the music and choreographs the shows. She is a wisecracking, showy woman who has always loved music. She, however, only has her current job being hired by her married lover, Vince LaRocca, to sing in his casino's lounge. She learns of Vince's true business as a gangster when she walks in on him killing one of his employees who wronged him. As a witness to the murder, Deloris goes on the run to the police, Lt. Eddie Souther who has long been running an operation to get enough evidence to put Vince behind bars, this murder which could be the proverbial nail in Vince's coffin. However, Vince has put a contract out on Deloris' life to prevent her from testifying against him. As such, Eddie has to hide her until the trial, which will be at least two months. Where Eddie chooses is St. Katherine's, a poor Catholic parish ...Written by
Screenwriter Paul Rudnick wrote the original script back in 1987 and Bette Midler was supposed to be cast for the role of Dolores. After Midler had left the project, the script underwent several re-writes by screenwriters Carrie Fisher, Eleanor Bergstein, Nancy Meyers, Jim Cash, Jack Epps, Jr., and Robert Harling. As Rudnick did not consider the final draft of the movie as his own work, the pseudonym "Joseph Howard" was chosen by him after his own suggestion for the writer's credit ("Screenplay by Goofy") had been rejected. See more »
During the singing act at the beginning of the movie, wireless microphone colors keep rotating between the three singers. See more »
[in a classroom in 1968]
Who can name all the apostles? Yes, Delores?
John, Paul, George... and Ringo!
[the children laugh]
Delores Wilson, you are the most unruly, disobedient girl in this school! Now, I want you to march right up to that blackboard and write the names of all the apostles alphabetically.
[Little Delores walks up to the blackboard and writes "John, Paul, Peter" and "Elvis" in big letters, underlined. The children laugh again]
This is enough! You are hopeless, and I ...
[...] See more »
Newspaper and magazine clippings of the nun choir. See more »
TBS broadcasts overdub a quick feedback-like squeal sound during the opening musical number to obscure an obscenity, when Whoopi Goldberg's character inserts the comment "You don't give a s--t" as the song "Heat Wave" ends. See more »
'Sister Act' has all the story it needs when it has Whoopi Goldberg in the lead...
Deloris Van Cartier (Whoopi Goldberg) is a lounge singer at a successful Reno casino, and is also the mistress of its manager, Vince LaRocca (a lazy Harvey Keitel), a drugs baron. Feeling unloved, she finally decides to quit her job at the casino and split up with Vince when he gives her his wife's old fur coat as a present. But then Deloris accidentally walks in on Vince dispatching one of his snitch employees, and literally has to make a run for her life. Taking refuge with the police, she discovers that she is required to testify in court when Vince is charged for his dirty deeds. But until then, the police arrange for her to hide out at a nunnery in Chicago, overseen by the Mother Superior (Maggie Smith). As Deloris reluctantly adapts to her new lifestyle as Sister Mary Clarence, she strikes up friendships with the unsuspecting nuns at the monastery, and even finds a way to put her singing skills to good use. But wherever she goes, Vince is never far behind
The above plot synopsis is likely to imply to the unknowing that 'Sister Act' is a "woman in jeopardy" thriller, when actually it's the complete opposite. The creators of the film seem to have designed a worthy fish-out-of-water comedy, and then simply used the bookends of the film as window dressing. It's all the story you need, though, when you have Whoopi Goldberg in the lead.
I've always had a preferment to Goldberg's shockingly underused skills as a dramatic actress, but her funny act can make virtually any film enjoyable. This is one of them. However, this being a family film, the climax is slightly underwhelming, and seems to be trying to be funny that actually letting off tension. But 'Sister Act' is a decent comedy regardless.
~ 7/10 ~
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