After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
Ellen Ripley (Sigourney Weaver) is the only survivor when she crash lands on Fiorina 161, a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Once again, Ripley must face skepticism and the alien as it hunts down the prisoners and guards. Without weapons or modern technology of any kind, Ripley leads the men into battle against the terrifying creature.
One possible idea for the film included a chestburster coming out of Michael Biehn's character, Hicks. This was later abandoned in favor of having his character die after being impaled by a metal beam. A replica of the actor with his chest torn open (due to the impalement) was created, but after Biehn discovered this (erroneously thinking it was from a chestburster wound), he threatened to sue the producers for using his likeness without his consent, so a non-identifiable replica was used. Later, the producers paid him to use his picture at the beginning of the film for the computer sequence. Apparently he received more money for use of this one image than for his role in Aliens (1986). Biehn later stated that, had he any idea the kind of career David Fincher would have, he might have been more accommodating, in the hopes of getting a chance to work with him on a subsequent project. See more »
The syringe used on Ripley by the doctor (Charles Dance) is the modern-day Rocket brand from London, clearly shown on the close-up with the Rocket logo and OF LONDON mark. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
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The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
The Blu-ray edition of the extended Assembly Cut of "Alien 3" (available as part of the "Alien Anthology" box set or as separate edition) received additional work on the soundtrack. As a result, it features re-recorded dialogue that replaces the poor quality audio that appeared in many of the added scenes in the DVD version. Additionally, dialogue has been added to a few scenes that had none in the DVD version:
As the prisoners are dragging the EEV out of the ocean, they can be heard talking to each other and coordinating their efforts (dialogue was lifted from the theatrical version).
When prisoner Murphy is scrubbing the air duct and finds something moving inside a hole, he can be heard calling his dog Spike (dialogue was lifted from the theatrical version).
After prisoner Junior has lured the alien inside the toxic waste disposal unit and the other prisoners have closed the door, muffled screams and shouts are heard, interspersed with disturbing thuds and ripping sounds, which eventually die down as the others listen in.
For me a good sequel needs to have new things, and it should not be a rehash of it's prequel. That's the problem with Alien3. Alien was a great movie, the Alien is one of the coolest movie monsters ever created (together with Predator). Aliens improved on this by adding a lot of new cool things, most noticeable the Alien Queen. Alien3 doesn't add anything new. Well, there is the queen parasite, and the new alien is a "dog Alien" (makes you wonder what the Alien from the space jocks (Alien 1) looks like...), but these are so insignificantly. So we're stuck with a been-there-done-that monster-chasing-victims movie. Still the movie is fun, and it looks absolutely awesome (great atmosphere). Not the crappy movie you might expect, but not a worthy addition to the Alien series too. Go see parts 1,2 and 4 !
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